{"title":"Stolen Horses and Scented Garments: Vegetal and Mineral Yellow in Arabic Technical Literature.","authors":"Lucia Raggetti","doi":"10.1080/00026980.2024.2311465","DOIUrl":null,"url":null,"abstract":"<p><p>Mediaeval Arabic technical literature shows a keen interest in yellow dyes, paints, varnishes, inks, and even perfumes. Recipes reveal that yellow was viewed as just one step away from gold, with preparations for these two colours often sharing ingredients and techniques. In the unfolding of procedures and applications to different materials, from skin to textiles, Arabic sources also offer a glimpse into daily life and shared tastes, presenting luxury objects along with their imitations. This paper traces the role played by yellow and gold in inks, cosmetic dyes, and coloured, scented fabrics, exploring the textual dimension of these recipes, their technical features, and their social role between the court and the street. It also presents translations of several important recipes for yellow and gold dyes, which illustrate their diversity of applications, while also addressing such material problems as durability and substitution.</p>","PeriodicalId":50963,"journal":{"name":"Ambix","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11062290/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ambix","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/00026980.2024.2311465","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/3/1 0:00:00","PubModel":"Epub","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
Mediaeval Arabic technical literature shows a keen interest in yellow dyes, paints, varnishes, inks, and even perfumes. Recipes reveal that yellow was viewed as just one step away from gold, with preparations for these two colours often sharing ingredients and techniques. In the unfolding of procedures and applications to different materials, from skin to textiles, Arabic sources also offer a glimpse into daily life and shared tastes, presenting luxury objects along with their imitations. This paper traces the role played by yellow and gold in inks, cosmetic dyes, and coloured, scented fabrics, exploring the textual dimension of these recipes, their technical features, and their social role between the court and the street. It also presents translations of several important recipes for yellow and gold dyes, which illustrate their diversity of applications, while also addressing such material problems as durability and substitution.
期刊介绍:
Ambix is an internationally recognised, peer-reviewed quarterly journal devoted to publishing high-quality, original research and book reviews in the intellectual, social and cultural history of alchemy and chemistry. It publishes studies, discussions, and primary sources relevant to the historical experience of all areas related to alchemy and chemistry covering all periods (ancient to modern) and geographical regions. Ambix publishes individual papers, focused thematic sections and larger special issues (either single or double and usually guest-edited). Topics covered by Ambix include, but are not limited to, interactions between alchemy and chemistry and other disciplines; chemical medicine and pharmacy; molecular sciences; practices allied to material, instrumental, institutional and visual cultures; environmental chemistry; the chemical industry; the appearance of alchemy and chemistry within popular culture; biographical and historiographical studies; and the study of issues related to gender, race, and colonial experience within the context of chemistry.