{"title":"Digital enhancement and photogrammetric recording of La Joquera Levantine rock art (Borriol, Castelló)","authors":"I. Domingo, P. Javadi, Dídac Román","doi":"10.4995/var.2024.19906","DOIUrl":null,"url":null,"abstract":"The heritage values of Levantine rock art, as UNESCO World Heritage since 1998 and as an Asset of Cultural Interest since 1985 according to the Spanish Heritage Act, together with its fragile nature, demand developing initiatives aimed at regularly revisiting and monitoring the sites and updating any existing records (descriptions, tracings, photographs, etc.). This is especially important for long-known sites, such as La Joquera, discovered and first graphically recorded in 1930 and for which these records have not been updated for decades. Such revisits should be aimed to: a) asses the integrity of the finds since their discovery or since the last revision; b) test whether current digital technologies can improve previous interpretations and reproductions of the art preserved there; and c) produce accurate three-dimensional (3D) photorealistic models that capture the 3D nature of this heritage and even improve the visualisation of motifs. These integral approaches are relevant to the qualitative and quantitative study of the art, as well as to its preservation and monitoring, and creation of digital archives to ensure a virtual future for Levantine art. This paper reports the technologies and methods used, the challenges faced (in terms of space available, lighting restrictions and the visual interference caused by the protective fence), and the results obtained at La Joquera rock art site as part of the 2D and 3D digital recording of the rock surface, the colour and the motifs depicted. Highlights of this paper include the identification of previously invisible weaponry and adornments of the only archer preserved on this site, as well as some other incomplete remains. Deliverables also include the production of a photorealistic model on which colour-intensified tracings are projected. This facilitates the identification of art that is now extremely faded and offers a closer look at what the site may have looked like originally.","PeriodicalId":44206,"journal":{"name":"Virtual Archaeology Review","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virtual Archaeology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4995/var.2024.19906","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
The heritage values of Levantine rock art, as UNESCO World Heritage since 1998 and as an Asset of Cultural Interest since 1985 according to the Spanish Heritage Act, together with its fragile nature, demand developing initiatives aimed at regularly revisiting and monitoring the sites and updating any existing records (descriptions, tracings, photographs, etc.). This is especially important for long-known sites, such as La Joquera, discovered and first graphically recorded in 1930 and for which these records have not been updated for decades. Such revisits should be aimed to: a) asses the integrity of the finds since their discovery or since the last revision; b) test whether current digital technologies can improve previous interpretations and reproductions of the art preserved there; and c) produce accurate three-dimensional (3D) photorealistic models that capture the 3D nature of this heritage and even improve the visualisation of motifs. These integral approaches are relevant to the qualitative and quantitative study of the art, as well as to its preservation and monitoring, and creation of digital archives to ensure a virtual future for Levantine art. This paper reports the technologies and methods used, the challenges faced (in terms of space available, lighting restrictions and the visual interference caused by the protective fence), and the results obtained at La Joquera rock art site as part of the 2D and 3D digital recording of the rock surface, the colour and the motifs depicted. Highlights of this paper include the identification of previously invisible weaponry and adornments of the only archer preserved on this site, as well as some other incomplete remains. Deliverables also include the production of a photorealistic model on which colour-intensified tracings are projected. This facilitates the identification of art that is now extremely faded and offers a closer look at what the site may have looked like originally.
期刊介绍:
Virtual Archaeology Review (VAR) aims the publication of original papers, interdisciplinary reviews and essays on the new discipline of virtual archaeology, which is continuously evolving and currently on its way to achieve scientific consolidation. In fact, Virtual Archaeology deals with the digital representation of historical heritage objects, buildings and landscapes through 3D acquisition, digital recording and interactive and immersive tools for analysis, interpretation, dissemination and communication purposes by means of multidimensional geometric properties and visual computational modelling. VAR will publish full-length original papers which reflect both current research and practice throughout the world, in order to contribute to the advancement of the new field of virtual archaeology, ranging from new ways of digital recording and documentation, advanced reconstruction and 3D modelling up to cyber-archaeology, virtual exhibitions and serious gaming. Thus acceptable material may emerge from interesting applications as well as from original developments or research. OBJECTIVES: - OFFER researchers working in the field of virtual archaeology and cultural heritage an appropriate editorial frame to publish state-of-the-art research works, as well as theoretical and methodological contributions. - GATHER virtual archaeology progresses achieved as a new international scientific discipline. - ENCOURAGE the publication of the latest, state-of-the-art, significant research and meaningful applications in the field of virtual archaeology. - ENHANCE international connections in the field of virtual archaeology and cultural heritage.