Character of species, procreation and death: considerations on the schopenhauerian doctrine of immortality in nature

José Fernandes Weber, Camila Gomes Weber
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Abstract

The article will explain the meaning of Schopenhauer's assertion that through the doctrine of immortality in nature, that is, through the variation of the species between birth and death, we arrive at the understanding that there is no harm in death, since true being itself does not end. Based on the analysis of chapter 41 of Volume II of The World as Will and Representation, entitled On death and its relation to the indestructibility of being, the Schopenhauerian understanding of the character of the species will first be elucidated; subsequently, his considerations on sexual impulse, procreation and death and the thesis of the permanence of the species "in the infinitude of time" (W II, Chap. 41 p. 580) will be explained; and finally, the presence of these issues in Machado de Assis' chronicle The Author of Himself and Tolstoy's novel Sonata a Kreuzer will be highlighted.
物种的特性、繁殖与死亡:对叔本华自然界不朽学说的思考
叔本华断言,通过自然界的不朽学说,即通过物种在生与死之间的变异,我们得出这样的认识,即死亡并无坏处,因为真正的存在本身并没有终结,本文将解释叔本华这一论断的含义。基于对《作为意志和表象的世界》第二卷第 41 章 "论死亡及其与存在的不朽性的关系 "的分析,我们将首先阐明叔本华对物种特性的理解;随后,我们将阐释他对性冲动、生殖和死亡的思考,以及物种 "在无限的时间中 "的永恒性论断(《作为意志和表象的世界》第二卷第 41 章,第 580 页)。最后,将强调这些问题在马查多-德-阿西斯的编年史《自己的作者》和托尔斯泰的小说《克鲁泽奏鸣曲》中的存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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