SATTRIYA DANCE: AN AESTHETICAL OUTLOOK

Dimple Saikia
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Abstract

Aesthetic is the pursuits of one’s individual mind. The theory or sense of beauty is always in connotation with art appreciation or criticism and is cultivated in the responsive spectators. The aesthetic experience evolve among the sahridaya and varies from person to person depending upon the perception of beauty. Indian Classical Dances are sacred art forms associated with the union of individual soul with the Absolute. They imbibe the spiritual values. Sattriya dance, one of the classical dance form from Assam, created by the great saint Sankaradeva in the 15th -16th century was a product of neo-vaishnavite movement. This form carrying the legacy of living tradition till today is performed in the Sattra precinct as a ritual service to appease the almighty while simultaneously seen performing on stage to appease the audience. This research paper is an attempt to assess the aesthetic qualities of Sattriya dance and to evaluate the aesthetic experience that arise out of the dance form in the minds of the spectators. The paper will be based on secondary sources comprising magazines, books, journals and internet content.
萨特里亚舞蹈:美学观
审美是个人心灵的追求。美学理论或美感总是与艺术欣赏或批评联系在一起,并在反应灵敏的观众身上得到培养。审美体验在 sahridaya 中演变,因人而异,取决于对美的感知。印度古典舞是神圣的艺术形式,与个人灵魂与绝对的结合相关。它们蕴含着精神价值。萨特里亚舞是阿萨姆邦的古典舞之一,由伟大的圣人桑卡拉德瓦(Sankaradeva)于 15-16 世纪创造,是新吠舍派运动的产物。这种传承至今的传统舞蹈在萨特拉(Sattra)地区表演,作为安抚万能神的仪式,同时在舞台上表演以安抚观众。本研究论文试图评估萨特里亚舞蹈的美学特质,并评价这种舞蹈形式在观众心目中产生的美学体验。论文将以二手资料为基础,包括杂志、书籍、期刊和互联网内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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