ENACTING THE GODS: THE PERFORMANCE OF HAOBA NURABI EPISODE IN THE LAI HARAOBA OF MANIPUR

Kshetrimayum Premchandra
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Abstract

This paper examines the performance of the Haoba Nurabi episode in the Meitei Lai Haraoba of Manipur. It attempts to delve into the intricate rituals of Lai Haraoba, a celebration that combines elements such as dance, music, sports, and sacred ceremonies to honour the presiding deities. The paper also provides insights into the performance space known as the laipung, shedding light on the staging and realisation of this traditional performance style. Throughout this paper, the terms drama, theatre, and performance are used interchangeably with due emphasis on spectator experience rather than the technicalities of the terms and methodological challenges. The episode under consideration reenacts the interactions between the divine lovers Haoba and Nurabi, who initially fail to recognise each other, which offers moments of humour and clever dialogues while performing activities like tilling, sowing, and harvesting. With multiple constituent elements making this propitiatory festival an entity unto itself, Lai Haraoba holds significance within India's broader landscape of performance traditions. And Haoba Nurabi sets itself apart within the ritual-rich ambience of the Lai Haraoba festival by exhibiting structural and presentational similarities to contemporary drama.
神灵的演绎:米贝库尔赖哈拉奥巴的哈奥巴-努拉比插曲的表演
本文探讨了曼尼普尔邦 Meitei Lai Haraoba 中 Haoba Nurabi 情节的表演。Lai Haraoba 是一种结合了舞蹈、音乐、体育和神圣仪式等元素的庆祝活动,以纪念主神。本文还对被称为 "来榜 "的表演空间进行了深入探讨,揭示了这种传统表演方式的舞台和实现方式。在本文中,戏剧、剧场和表演等术语可以互换使用,重点在于观众的体验,而不是术语的技术性和方法论上的挑战。本文所讨论的剧目再现了神仙恋人豪巴和努拉比之间的互动,他们起初未能认出对方,在进行耕种、播种和收割等活动时出现了幽默和巧妙的对话。多种元素使这个祭祀节日自成一体,《来哈拉奥巴》在印度更广泛的表演传统中具有重要意义。而《Haoba Nurabi》则通过展示与当代戏剧相似的结构和表现形式,在仪式氛围浓厚的莱哈若巴节中脱颖而出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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