Of mermaids and monsters: Transgender history and the boundaries of the human in eighteenth- and early-nineteenth-century Britain

IF 0.3 3区 历史学 Q2 HISTORY
Onni Gust
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引用次数: 0

Abstract

The figure of the monster has long been used by trans and intersex scholars, artists and activists to articulate their sense of being in a world dominated by binary, cisgender norms. Yet what does it mean to embrace ‘the monstrous’ and how might that embrace inform the construction of transgender history? This article examines the specificities of ‘the monstrous’ in eighteenth- and nineteenth-century Britain and empire by focusing on two figures at the boundary of the human: ‘the mermaid’ and ‘the hermaphrodite’. In doing so, it asks what the histories of these two marginal figures might tell us about the construction of ‘the human’ and argues that an alignment with the monster might enable trans historians to ally themselves with a vision of the future that goes beyond anthropocentrism.

美人鱼和怪物:十八世纪和十九世纪初英国的变性历史与人类的界限
长期以来,变性和双性人学者、艺术家和活动家一直使用 "怪物 "这一形象来表达他们在一个由二元对立、顺性别规范主导的世界中的存在感。然而,拥抱 "怪物 "意味着什么?本文通过聚焦两个处于人类边界的人物:"美人鱼 "和 "雌雄同体者",研究了十八和十九世纪英国和帝国中 "畸形 "的特殊性。在这样做的过程中,它询问这两个边缘人物的历史可能会告诉我们关于 "人类 "建构的什么信息,并论证了与怪物保持一致可能会使跨性别历史学家与超越人类中心主义的未来愿景结盟。
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来源期刊
Gender and History
Gender and History Multiple-
CiteScore
0.90
自引率
0.00%
发文量
83
期刊介绍: Gender & History is now established as the major international journal for research and writing on the history of femininity and masculinity and of gender relations. Spanning epochs and continents, Gender & History examines changing conceptions of gender, and maps the dialogue between femininities, masculinities and their historical contexts. The journal publishes rigorous and readable articles both on particular episodes in gender history and on broader methodological questions which have ramifications for the discipline as a whole.
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