Pavel Korin: Everlasting Russia

N. N. Rostova
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Abstract

The article is dedicated to the creative works of the renowned Russian and Soviet artist Pavel Dmitrievich Korin. The author of the article aims to show that the central concept of the artist — his “Farewell to Rus” — never saw the light of day, but still culturally endured, defining our metaphysical coordinates in post‑revolutionary Russia. Korin’s works focused on timeless meanings, the very soul of the people, rather than on localized historical episodes or related heroes. At his extreme, Korin was oriented towards the “everlasting Russia” — those fundamental foundations of our consciousness that remain unaffected by the vicissitudes of history. Drawing parallels between the ideological and aesthetic similarities between Mikhail Nesterov’s “The Soul of the People” and Pavel Korin’s “Farewell to Rus”, the author conducts their detailed analytical comparison. The author concludes that unlike Nesterov, Korin painted the tragic moment of losing the essence in its totality. In the author’s opinion, the comprehensive symbolism is equally characteristic of Korin’s well‑known triptychs and mosaic panels adorning the Moscow subway stations. By analyzing specific images, the author demonstrates how Korin, through painterly means, expressed the philosophy of victory.
帕维尔-科林:永恒的俄罗斯
这篇文章专门介绍俄罗斯和苏联著名艺术家帕维尔-德米特里耶维奇-科林(Pavel Dmitrievich Korin)的创作。文章作者旨在说明,这位艺术家的核心理念--他的《告别罗斯》--从未见诸报端,但在文化上却经久不衰,为革命后的俄罗斯确定了我们的形而上学坐标。科林的作品关注的是永恒的意义、民族的灵魂,而不是局部的历史事件或相关的英雄人物。在他的极端,科林面向的是 "永恒的俄罗斯"--我们意识中那些不受历史变迁影响的根本基础。作者将米哈伊尔-涅斯捷罗夫的《人民的灵魂》和帕维尔-科林的《告别俄罗斯》在意识形态和美学上的相似之处进行了详细的分析比较。作者的结论是,与涅斯捷罗夫不同,科林描绘的是失去本质的悲惨时刻的全貌。作者认为,科林著名的三联画和莫斯科地铁站的马赛克装饰板同样具有全面象征的特点。通过分析具体图像,作者展示了科林如何通过绘画手段表达胜利哲学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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