From Inattentiveness Towards Moral Failures: Acknowledging Simone Weil in Iris Murdoch’s Literary Writings

Labyrinth Pub Date : 2024-01-15 DOI:10.25180/lj.v25i2.341
Camille Braune
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Abstract

Simone Weil's ideas proved fundamental for Iris Murdoch, opening up a difficult path of thought for one rooted in the British philosophical tradition in the 1950s (Sim 1985, Bok 2005, Lovibond 2011a, Panizza 2022a, Mac Cumhaill and Wiseman 2022). Grasping the Weilian-inspired moral theory of attention sketched by Iris Murdoch is a prerequisite for comprehending the development of her moral ideas (Panizza 2015, Broackes 2012) and the form they may take in her literary writings (Griffin 1993, Morgan 2006). This paper argues that we can read an expression of Simone Weil in Iris Murdoch's novels which articulate her notions of grace and gravity, but also convey the Weilian insights that shape Murdoch's moral perfectionism. It investigates three of Murdoch's well-known male protagonists, i.e., Bradley Pearson, Charles Arrowby and Hilary Burde, so as to comprehend how their moral failures relate to a defective implementation of the concepts of love and attention as theorised by Simone Weil as leading to goodness. Hence, it offers a new examination of the way in which the Murdochian literary staging of inattention as a cause of moral deficiency reveals its Weilian-based ethics of attention.
从漠不关心到道德失范:承认艾里斯-默多克文学作品中的西蒙娜-魏尔
事实证明,西蒙娜-魏尔的思想对艾里斯-默多克具有根本性的意义,为扎根于二十世纪五十年代英国哲学传统的默多克开辟了一条艰难的思想之路(Sim 1985, Bok 2005, Lovibond 2011a, Panizza 2022a, Mac Cumhaill and Wiseman 2022)。要理解艾里斯-默多克的道德思想的发展(Panizza,2015 年;Broackes,2012 年)以及这些思想在其文学作品中可能采取的形式(Griffin,1993 年;Morgan,2006 年),就必须掌握默多克受魏尔伦启发而勾勒的注意力道德理论。本文认为,我们可以从艾里斯-默多克的小说中读出西蒙娜-魏尔的表达,这些小说不仅阐述了她的优雅和重力概念,还传达了魏尔的见解,这些见解塑造了默多克的道德完美主义。本研究调查了默多克笔下三位著名的男主人公,即布拉德利-皮尔逊、查尔斯-阿罗比和希拉里-伯德,以理解他们的道德失败与西蒙娜-魏尔理论中的爱和关注概念的缺陷是如何联系在一起的。因此,该书对默多克文学作品中将注意力不集中作为道德缺失的原因,揭示其基于魏尔的注意力伦理的方式进行了新的审视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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