DEMONIZING MOTHERHOOD: MIRRORING THE MONSTROUS FEMININE IN THE BOLLYWOOD HORROR MOVIE CHHORII (2021)

Virginia Kashyap, Rashmita Devi, Prachand Narayan Piraji
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Abstract

Motherhood is a profound and multifaceted experience transcending biological, emotional, and societal dimensions, traditionally idealised for love and compassion, and is venerated as the supreme soul of caregivers. For society to thrive, families play a key role, and mothers are one of the most important players in this process. This paper, on the contrary, investigates the abject terror a mother may undergo because of patriarchal structures. As the horror genre reflects societal anxieties and fears the archetype of motherhood is used by horror writers to unearth the fears associated with it as well as challenge the perceptions society has of motherhood. The prime purpose of this study is to deconstruct the archetypal image of a mother with the subversion of traditional motherhood that is culturally imposed on a woman. This research article is devoted to analysing the Bollywood horror film Chhorii (2021) through the lens of Barbara Creed’s theory of ‘Mostrous-Feminine’ that challenges Motherhood through a subversion of traditional conceptions of the role. With the help of the film, the researchers aim to manifest the disruption of socio-cultural expectations imposed on a mother and thereby explore her transgression of gender roles associated with motherhood by being monstrous in the narrative.
妖魔化母性:宝莱坞恐怖电影《Chhorii》(2021 年)中畸形女性的镜像
母爱是一种深刻而多面的体验,它超越了生理、情感和社会层面,历来以爱和同情为理想,被尊为照顾者的最高灵魂。社会要繁荣昌盛,家庭起着关键作用,而母亲是这一过程中最重要的角色之一。本文恰恰相反,探讨了父权制结构下母亲可能遭受的极度恐怖。由于恐怖题材反映了社会的焦虑和恐惧,恐怖小说家利用母亲这一原型来挖掘与之相关的恐惧,并挑战社会对母亲的看法。本研究的主要目的是解构母亲的原型形象,颠覆文化强加给女性的传统母性。芭芭拉-克里德(Barbara Creed)的 "最女性"(Mostrous-Feminine)理论通过颠覆传统的母亲角色概念来挑战母亲角色,本研究文章致力于通过这一理论来分析宝莱坞恐怖电影《Chhorii》(2021 年)。借助这部电影,研究人员旨在体现社会文化对母亲期望的破坏,从而探讨母亲在叙事中通过畸形的方式对与母亲相关的性别角色的超越。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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