O podcast de audiodrama em resposta à nova demanda por escuta imersiva

Daniel Gambaro, Nivaldo Ferraz
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Abstract

This article discusses the resurgence of podcasts in recent years as a response to the growing demand from the audience for productions that allow immersion in virtual worlds. Through the analysis of the podcast Homecoming (2016-2017), which we consider an example of this new moment, we approach elements acting as vectors of immersiveness, such as the expressive potential through sound language, complex narrative and interpretation. We associate such demand and the sophisticated form of production to the contemporary moment, when new listening habits are introducing, departing from the institutionalised traditions of terrestrial radio.
有声剧播客响应身临其境聆听的新需求
本文讨论了近年来播客的重新兴起,这是对观众对能够沉浸于虚拟世界的作品日益增长的需求的回应。我们认为播客《回家》(Homecoming,2016-2017 年)是这一新时刻的一个范例,通过对它的分析,我们探讨了作为沉浸感载体的各种因素,如通过有声语言、复杂叙事和诠释的表达潜力。我们将这种需求和复杂的制作形式与当代时刻联系起来,在这个时刻,新的收听习惯正在引入,脱离了地面广播的制度化传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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