The indigenous art of orchid noken making by the Mee Tribe in the highland of Central Mountains, Indonesian Papua

Y. Runtuboi, Dina Arung Padang, Mariana H. Peday, Agustina Y S Arobaya, A. Ungirwalu, Amilda Auri, P. A. Dimara, C. Susanti, Novita Panambe, N. M. H. Benu
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Abstract

Abstract. Runtuboi YY, Padang DA, Peday MH, Arobaya AYS, Ungirwalu A, Auri A, Dimara PA, Susanti CME, Panambe N, Benu NMH. 2023. The indigenous art of orchid noken making by the Mee Tribe in the highland of Central Mountains, Indonesian Papua. Biodiversitas 24: 3881-3890. The eastern Indonesian Papua boasts remarkable biodiversity and valuable natural resources. Despite this, there has been a lack of scientific investigation into the sustainable utilization of these resources by the diverse ethnic groups residing in Papua. This paper discusses the traditional practice of the men of the Mee Tribe, who specialize in crafting a traditional bag called orchid noken. The study aims to document and preserve the local knowledge and expertise of the Mee Tribe regarding the use of plants in their craftwork. The field study was conducted in August 2014 in the village of Bomomani, located in the Dogiyai District of Papua Province. Qualitative methods, such as interviews and participatory observation, were employed to collect data from 18 key informants selected for their knowledge of the Mee Tribe's traditional practices of orchid noken making. The study uncovered that the Mee Tribe relies on nine species of wild plants, including orchids, ferns, and rattans, as the primary raw materials for crafting noken. Specific parts of these plants are carefully selected and incorporated into the crafting process, employing different processing techniques to achieve the desired colors and textures in the final product. The findings highlight the immense significance of the orchid noken in the daily lives of the Mee Tribe. This study demonstrates that noken is a product closely associated with the local knowledge and culture of the Mee Tribe. Additionally, by documenting and understanding the Mee Tribe's traditional practices, the research contributes to the conservation of plant diversity and the preservation of Papuan cultural heritage. This study ensures the continued transmission of traditional knowledge and practices to future generations, safeguarding the invaluable cultural heritage of Papuans.
印度尼西亚巴布亚中部山区高地米氏部落的本土兰花诺肯制作艺术
摘要Runtuboi YY, Padang DA, Peday MH, Arobaya AYS, Ungirwalu A, Auri A, Dimara PA, Susanti CME, Panambe N, Benu NMH.2023.印尼巴布亚中央山脉高原米氏部落制作兰花诺肯的本土艺术。Biodiversitas 24: 3881-3890.印度尼西亚巴布亚东部拥有丰富的生物多样性和宝贵的自然资源。尽管如此,居住在巴布亚的不同民族对这些资源的可持续利用一直缺乏科学调查。本文讨论了米氏部落男子的传统习俗,他们专门制作一种名为 "兰花诺肯 "的传统包。研究旨在记录和保存米氏部落在工艺品中使用植物的当地知识和专长。实地研究于 2014 年 8 月在巴布亚省多吉耶地区的博莫马尼村进行。研究采用访谈和参与式观察等定性方法,从 18 位关键信息提供者那里收集数据,这些关键信息提供者被选中是因为他们了解米氏部落制作兰花诺肯的传统习俗。研究发现,米氏部落依赖九种野生植物(包括兰花、蕨类植物和鼠尾草)作为制作诺肯的主要原材料。这些植物的特定部分都经过精心挑选,并在制作过程中采用不同的加工技术,以达到最终产品所需的颜色和质地。研究结果凸显了兰花诺肯在米氏部落日常生活中的重要意义。这项研究表明,诺肯是一种与米氏部落的地方知识和文化密切相关的产品。此外,通过记录和了解米氏部落的传统习俗,这项研究有助于保护植物多样性和巴布亚文化遗产。这项研究确保了传统知识和习俗能够继续传承给子孙后代,保护巴布亚人宝贵的文化遗产。
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