In Contemplation of Hyewon Sin Yun-bok’s Hyewonhawcheop(蕙園畫帖)

Mi-Hyun Im
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Abstract

Hyewonhawcheop(蕙園畫帖) by Hyewon Sin Yun-bok(申潤福, 1758?-1817 or later) is a collection of paintings in a literary artist’s style mainly focusing on landscape painting with figures. This collection of paintings contains two pages of HaengSeo(a semi-cursive style of writing) and six pages of paintings with a variety of genres, including letters, Sagunja(Four Gracious Plant Painting), landscape painting with figures, and paintings of Taoist immortals and Buddhist Saints and Arhats. These works of art help enhance insight also on his preference for literary arts that had not received much attention due to genre paintings. As Hyewonhawcheop carries a government seal recording “Hyewon, lunar July of the year Mu Jin” and other variety of seals, including “yu-eo-yeah”, “sin-ga-gwon-in”, it can be inferred that this was produced when Sin Yun-bok was 50 years old. Since his other works’ production dates are unknown, this can be a reference work for timepoint. This paper focuses on this significance, analyzing and contemplating on each work in Hyewonhawcheop to understand Sin Yun-bok and his works.
In Contemplation of Hyewon Sin Yun-bok's Hyewonhawcheop(蕙園畫帖)
蕙园画帖》是一部文人画家风格的画集,主要以人物山水画为主。这本画集包含两页 "行书"(一种半草书体)和六页画作,体裁多样,包括书信、四君子、山水人物画以及道教神仙和佛教圣人及阿罗汉画作。这些艺术作品也有助于深入了解他对文学艺术的偏爱,而文学艺术因体裁绘画而未受到重视。 由于《蕙园河图》上盖有 "壬午年七月蕙园 "的官印,以及 "余邑也"、"辛加权院 "等各种印章,可以推断该作品是冼润福 50 岁时创作的。由于冼润福其他作品的制作年代不详,因此该作品可以作为时间节点的参考。本文将围绕这一意义,分析和思考《蕙园杂录》中的每件作品,以了解辛润福和他的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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