{"title":"China’s “Not So Detached from Reality” Literary Avant-Garde: Su Tong and His Subversive Opposition to Communist Ideology","authors":"Katarzyna Sarek","doi":"10.18290/rh23719.4","DOIUrl":null,"url":null,"abstract":"Individualistic and non-political. While it is true that these writers focused on the individual and experimented with stylistic techniques, they did not completely disconnect themelves from China’s political and social realities. Su Tong’s works, for instance, challenge the communist ideology and explore contemporary Chinese history through personal experiences. His characters may appear to be stereotypes, but their relationships defy clichés, and the stories reveal the destructive power of hatred. Furthermore, Su Tong’s portrayal of rural-urban migration expresses individual helplessness, and his depiction of cities as corrupt and crime-ridden questions the success of China’s efforts at modernisation","PeriodicalId":41095,"journal":{"name":"Roczniki Humanistyczne","volume":"16 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roczniki Humanistyczne","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18290/rh23719.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Individualistic and non-political. While it is true that these writers focused on the individual and experimented with stylistic techniques, they did not completely disconnect themelves from China’s political and social realities. Su Tong’s works, for instance, challenge the communist ideology and explore contemporary Chinese history through personal experiences. His characters may appear to be stereotypes, but their relationships defy clichés, and the stories reveal the destructive power of hatred. Furthermore, Su Tong’s portrayal of rural-urban migration expresses individual helplessness, and his depiction of cities as corrupt and crime-ridden questions the success of China’s efforts at modernisation