Vernacular Visions in North and South Korea: Interlingual Translations of Unyŏng chŏn (The Tale of Unyŏng) and Ideologies of National Literature

IF 0.4 4区 社会学 0 ASIAN STUDIES
Daniel Pieper
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引用次数: 0

Abstract

Abstract:This article focuses on two translations of The Tale of Unyŏng (Unyŏng chŏn 雲英傳, early seventeenth century) into vernacular Korean in South Korea (1960) and North Korea (1966). Looking beyond the classical paradigm of interlingual and intralingual translation as “translation proper” and “rewording,” respectively, the article argues that translations of classical Korean fiction from Literary Sinitic into vernacular Korean represented a form of transitional intralingual translation as each nation navigated away from active membership in the Sinographic Cosmopolis and attempted to establish a new national literature and literary medium. Whereas the South Korean translation is tethered closely to the Literary Sinitic original in terms of lexicon, orthography, and representation of classical allusions and perpetuates three tiers of literacy, the North Korean translation hews much more closely to spoken vernacular and traditional kungmun manuscript versions of classical fiction and embodies the overriding North Korean policy of sinograph abolition and han’gŭl promotion.
南北朝鲜的乡土愿景:云中物语》的跨语言翻译与民族文学意识形态
摘要:本文主要讨论了《云英传》(Unyŏng chŏn 雲英传,十七世纪初)在南朝鲜(1960 年)和北朝鲜(1966 年)被翻译成白话朝鲜语的两个译本。文章超越了语际翻译和语内翻译分别作为 "翻译本体 "和 "改写 "的经典范式,认为韩国古典小说从文言汉译为白话韩文代表了一种过渡性的语内翻译形式,因为每个国家都在摆脱汉学大都会的积极成员身份,并试图建立新的民族文学和文学媒介。南朝鲜的译本在词汇、正字法和古典典故的表现方面都与文学漢語原著紧密相连,并延续了三层文化,而北朝鲜的译本则更加贴近白话口语和传统的古典小说宫门手抄本,体现了北朝鲜废除汉文、推广汉文的首要政策。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
自引率
0.00%
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8
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