Through Traditional Music Sarone and Cultural Learning in an Educational Context

Alfandi Al Ansori, Hary Murcahyanto, Yuspianal Imtihan, Alwan Hafiz
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Abstract

This research aims to describe the sacredness of Sarone music in wedding ceremonies within the Tanjung Luar village community, Keruak Subdistrict, East Lombok Regency. The research employs a qualitative ethnographic method. Data collection is carried out through literature review, observation, interviews, and documentation. Data are analyzed through data reduction, data presentation, and conclusion. To ensure data validity, triangulation techniques are utilized. The research findings reveal that the sacredness of Sarone music in wedding ceremonies in Tanjung Luar village encompasses elements such as origins, rituals, Sarone heirlooms, taboos, instruments, songs, and Mancak. Sarone music is considered a form of respect for ancestors, a link to cultural heritage, a means of preserving tradition's sanctity, and an integral part of the cultural identity of the Tanjung Luar village community. While the community has diverse perspectives, they all emphasize the importance of maintaining the strong tradition and cultural values associated with Sarone music. In conclusion, Sarone music possesses sacred elements like its history, heirlooms, taboos, instruments, songs, and Mancak dance, which create a sacred atmosphere and are used in the sequence of wedding events and rituals as a form of tribute to ancestors and the preservation of the cultural identity of the Tanjung Luar village community.
通过传统音乐萨罗内和教育背景下的文化学习
本研究旨在描述东龙目岛克鲁阿克分区丹戎卢阿村社区婚礼仪式中萨隆音乐的神圣性。研究采用定性人种学方法。通过查阅文献、观察、访谈和记录来收集数据。通过数据还原、数据展示和结论对数据进行分析。为确保数据的有效性,采用了三角测量技术。研究结果表明,丹绒鲁阿村婚礼仪式中的萨隆音乐的神圣性包括起源、仪式、萨隆传家宝、禁忌、乐器、歌曲和曼卡克等要素。萨隆音乐被认为是对祖先的一种尊重,是与文化遗产的联系,是保护传统神圣性的一种手段,也是丹绒鲁阿村社区文化身份不可分割的一部分。虽然社区居民的观点各不相同,但他们都强调了保持与萨隆音乐相关的强大传统和文化价值的重要性。总之,萨隆音乐拥有神圣的元素,如历史、传家宝、禁忌、乐器、歌曲和曼卡克舞蹈,这些元素营造了一种神圣的氛围,并在婚礼活动和仪式的序列中使用,作为向祖先致敬和保护丹戎罗亚村社文化身份的一种形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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