Polyphony, evidentiality, mirativity as semantic features. Case study of Raskolni-kov’s monologue from «Crime and Punishment» by F.M. Dostoyevsky translated into French

O. A. Gulyga
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Abstract

The article deals with contrasting polyphony in literature and the same notion in lin-guistics. As exemplified by the Russian fiction in F.M. Dostoyevsky’s Crime and Punishment, the present study reveals that the polyphonic character of the text can be also treated as evi-dentiality and/or reactional response combined with mirativity. In order to compare the capaci-ty of expressions of the mentioned categories, a translation of the text extract is being bal-anced against Dostoyevsky’s original text.
作为语义特征的复调性、证据性和镜像性。F.M. 陀思妥耶夫斯基《罪与罚》中拉斯科尔尼科夫的独白译成法文的案例研究
文章将文学中的复调与语言学中的复调概念进行对比。本研究以 F.M. 陀思妥耶夫斯基的《罪与罚》中的俄罗斯小说为例,揭示了文本的复调特征也可被视为与镜像性相结合的潜在性和/或反应性反应。为了比较上述类别的表达能力,我们将文本摘录的译文与陀思妥耶夫斯基的原文进行了对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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