Visualizing Pentateuchal Composition: A New View of the Creation of Ancient Hebrew Literature

Seth L. Richardson
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Abstract

This article describes a gap in scholarship on the Hebrew Bible, and demonstrates a way to address it via a digital humanities project that is at once a research tool and an interactive work of public scholarship. The gap results from the fact, well-known among scholars but still startling to much of the public, that ancient Israel had no Bible as we know it. This is the case for the Persian and Hellenistic period, when, as we know largely from the evidence of the Dead Sea Scrolls, the textual form of many biblical books and the biblical canon as a unit was not yet fixed. But it is also true in a different way for an earlier period in the history of the Pentateuch, before the texts were edited into their current form. With this consensus as a starting point, we present the opportunity to visualize the most widely-agreed on possible sources and layers of the Pentateuch separately, offering a glimpse of texts closer to what people in ancient Israel may have actually had, and let readers experiment with how they may have been combined.
五经创作的可视化:古代希伯来文学创作的新视角
本文描述了希伯来圣经学术研究中的一个空白,并展示了通过数字人文项目解决这一空白的方法,该项目既是研究工具,也是公众学术研究的互动作品。造成这一空白的原因是,古代以色列没有我们所知的《圣经》,这一事实已为学者们所熟知,但仍令许多公众感到震惊。波斯和希腊时期的情况就是如此,我们主要从《死海古卷》的证据中了解到,当时许多圣经书籍的文本形式和圣经正典作为一个整体尚未固定下来。但是,对于摩西五经历史上更早的时期,即文本被编辑成现在的形式之前,情况也是如此。以这一共识为出发点,我们提供了一个机会,将最广泛认同的五经可能的来源和层次分开进行可视化展示,让读者看到更接近古代以色列人可能实际拥有的文本,并让读者尝试如何将它们结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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