Dance and Festivals in Serbian Villages along the Romanian Danube Gorge: Contextualizing Selena Rakočević’s Research

Liz Mellısh, Nick Green
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Abstract

This paper aims to frame and contextualize Selena’s research between 2010 and 2019 in villages with a Serbian population situated in the Danube Gorge in Romania and in particular the village of Svinit , a (Svinica). Selena’s research focus was on the community dance practices and local customs and festivals, and especially interethnic/cross-cultural sharing between the Serbians and Romanians living in this area. In order to provide this contextualization this paper draws on the concept of positionality encompassing historical, geographical, political and cultural facets, and that identities can be multiple, shifting and situational. After setting the historical background for the Danube Gorge, it discusses local customs in this area especially those during the pre-Lenten carnival, Easter celebrations and the regular contemporary cultural events organized in these villages. The final detailed section contextualizes the contemporary dance practices in social settings where a local identity is portrayed versus the preference for performing Serbian dances as a way of representing Serbian identity in presentational contexts.
罗马尼亚多瑙河峡谷沿岸塞尔维亚村庄的舞蹈和节日:塞莱娜-拉科切维奇研究的背景
本文旨在介绍塞莱娜于 2010 年至 2019 年期间在罗马尼亚多瑙河峡谷的塞族聚居村落,特别是斯维尼察村(Svinit , a)开展研究的框架和背景。塞莱娜的研究重点是社区舞蹈习俗、当地风俗和节日,特别是生活在这一地区的塞尔维亚人和罗马尼亚人之间的种族间/跨文化交流。为了提供这种背景情况,本文借鉴了包含历史、地理、政治和文化方面的定位概念,以及身份可以是多重的、不断变化的和情境性的这一概念。在介绍了多瑙河峡谷的历史背景后,本文讨论了该地区的当地习俗,尤其是在斋月前的狂欢节、复活节庆祝活动以及这些村庄定期举办的当代文化活动期间的习俗。最后一节详细介绍了当代舞蹈实践在社会环境中的背景,在这种环境中,当地人的身份得到了体现,而塞尔维亚人则更倾向于表演塞尔维亚舞蹈,作为在展示背景中体现塞尔维亚人身份的一种方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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