On the Genre Interpretation of the Fairy Tale Kissel by Saltykov-Shchedrin

M. A. Alyakrinskaya
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Abstract

Introduction. The article explores the almost unstudied fairy tale Kissel by M.E. Saltykov-Shchedrin. There are no surveys on the story except for the writer’s comments on collected works. The key concept of the tale (kissel) is identified by the Soviet literature as a Russian man, while the problem is limited to denouncing “peoples’ lack of participation”. Results. As the genre of the tale Kissel is actually a parable, it is important to understand both literary and historical context. The historical context is represented by the rapid development of “wild” capitalism in post-reformed Russia, described in different publicistic series of 1870–1880s written by M. E. Saltykov-Shchedrin, as well as the emergence of the “Russian bourgeois” class (the satirist was very skeptical of the idea that the class could become a base for the new social order). The literary context is observed in the satirist’s works of 1870–1880s empathizing problems of predation, uncontrolled and merciless elimination of Russian natural resources, as well as the inability of Russian nobility to resist those social challenges. Those problems are characterized by the three main characters of the tale Kissel: the pig, the kissel and the lords personalizing concepts of “predation”, patriarchal peasantical Russia, and the cultural class losing its positions in social life. Conclusion. The author claims that the fairy tale Kissel by M. E. Saltykov-Shchedrin is the satirist’s peculiar warning that such uncontrolled embezzlement of the country’s wealth (i.e. the pig eating kissel) might lead to painful consequences for the Russian society.
论萨尔季科夫-什切林对童话《基塞尔》的体裁解读
导言本文探讨的是 M.E. Saltykov-Shchedrin 所著的几乎未经研究的童话《基塞尔》。除了作者对作品集的评论外,没有任何关于该故事的研究。故事的关键概念(基塞尔)被苏联文学认定为俄罗斯人,而问题仅限于谴责 "人民缺乏参与"。结果。由于《基瑟尔》的体裁实际上是一则寓言,因此了解文学和历史背景非常重要。历史背景表现为改革后的俄罗斯 "野蛮 "资本主义的迅速发展,M. E. Saltykov-Shchedrin 在 1870-1880 年代撰写的不同宣传丛书中对此进行了描述,以及 "俄罗斯资产阶级 "的出现(讽刺作家对该阶级可能成为新社会秩序基础的观点持怀疑态度)。在讽刺作家 1870-1880 年代的作品中,我们可以看到他对掠夺、无节制和无情地掠夺俄罗斯自然资源以及俄罗斯贵族无力抵御这些社会挑战等问题感同身受的文学背景。基塞尔》故事中的三个主要人物:猪、基塞尔和领主将 "掠夺"、父权制的俄罗斯农民以及在社会生活中失去地位的文化阶层等概念个人化,从而体现了这些问题的特点。结论作者认为,M. E. Saltykov-Shchedrin 的童话《基塞尔》是讽刺作家的一个特殊警告,即这种无节制地侵吞国家财富的行为(即猪吃基塞尔)可能会给俄罗斯社会带来痛苦的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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