The Timescape of an Artificial Friend: Posthumous Life in Kazuo Ishiguro’s Klara and the Sun

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Maxim Shadurski
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Abstract

This article examines Kazuo Ishiguro’s Klara and the Sun (2021) through the notion of timescape, which builds on Barbara Adam’s interventions into the sociology of time. Timescape receives its further conceptualization at the intersections between critical posthumanism, narrative theory, and Anthropocene discourse. In application to Ishiguro’s novel, it opens up the protagonist narrator’s multifaceted relationship to time. Klara is a solar-powered android who at once embodies and attempts to rectify the human impacts on the planet. Timescape allows me to explore Klara’s nonhuman temporalities in three analytical moves. First, through timescape, I contextualize Klara alongside the geological registers of the Anthropocene and theorize her ontological and chronological position as regards the human and the posthuman. Second, timescape brings out Klara’s self-aware preoccupations with the linear order of her narrative, on the one hand, and the temporal disjunctures of that narrative, on the other. And third, Klara’s timescape supplies insight into both her examined prosthetic life and an afterlife of unexamined possibilities. I argue that Klara envisages her algorithmically inflected posthumous life in stark separation from her human forebears.
人造朋友的时代背景:石黑一雄《克拉拉与太阳》中的后世生活
本文以芭芭拉-亚当(Barbara Adam)对时间社会学的干预为基础,通过 "时景"(timescape)这一概念来研究石黑一雄的《克拉拉与太阳》(2021 年)。时景在批判后人类主义、叙事理论和人类世话语的交叉点上得到了进一步的概念化。在应用于石黑的小说时,它开启了主人公叙述者与时间的多层面关系。克拉拉是一个由太阳能驱动的机器人,她既体现了人类对地球的影响,又试图纠正人类对地球的影响。时间景观让我能够通过三种分析方法来探索克拉拉的非人类时间性。首先,通过时间景观,我将克拉拉与 "人类世"(Anthropocene)的地质登记册联系起来,并从理论上确定了她在人类和后人类方面的本体论和时间位置。其次,时间景观展现了克拉拉自我意识中对其叙事的线性顺序和叙事的时间错位的关注。第三,克拉拉的时间图景既能让人了解她经过审视的义肢生活,也能让人了解她未经审视的来世。我认为,克拉拉在设想她的算法化后世生活时,与她的人类祖先截然分开。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Roczniki Humanistyczne
Roczniki Humanistyczne HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
106
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