Japanese Epic Puppet Tales at New Year: The Fukaze Dekumawashi and Higashi Futakuchi Performance Traditions

Claudia Orenstein
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Abstract

In the Hakusan area of Japan’s Ishikawa Prefecture, two villages, Fukaze and Higashi Futakuchi, roughly 350 years ago, developed and have continued to preserve  bun’ya ningyō, puppetry combined with the bun’ya style of chanting, a precursor of bunraku. These traditions draw their tales from folk stories and the epic Heike Monogatari or Tale of the Heike. Although their puppets are basic in construction and use a simple form of manipulation, each of these related but distinct traditions captivates with its own unique figures, particular chanting style, and ingenious manipulation techniques. Equally worthy of attention are the roles these non-commercial traditions have played in uniting their rural communities and the deep attachment locals still have to their artform. With the erosion of rural lifestyles throughout Japan and the aging of the forms’ most engaged practitioners, it is difficult to anticipate the future of these arts. Along with Hakusan City Hall, the forms’ preservation associations have experimented with ways of documenting the traditions, finding new performance opportunities, and promoting their arts to a broader public.
日本新年史诗木偶故事:深泽德驹桥和东二口的表演传统
大约 350 年前,在日本石川县的白山地区,深泽和东二口这两个村庄发展并继续传承着文雅念唱,即结合了文雅念唱风格的木偶戏,这是文乐的前身。这些传统的故事取材于民间故事和史诗《平家物语》。虽然这些木偶的构造简单,操纵方式也很简单,但每个相关但又各不相同的传统都以其独特的人物形象、独特的吟唱风格和巧妙的操纵技巧吸引着人们。同样值得关注的是,这些非商业性传统在团结农村社区方面所发挥的作用,以及当地人对其艺术形式的深深眷恋。随着日本各地农村生活方式的侵蚀,以及这些艺术形式最活跃从业者的老龄化,很难预料这些艺术的未来。这些艺术形式的保护协会与白山市政府一起,尝试用各种方式记录这些传统,寻找新的表演机会,并向更广泛的公众推广这些艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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