{"title":"Music teachers’ stance in action to develop student autonomy","authors":"Sarah Chardonnens","doi":"10.1177/03057356231216876","DOIUrl":null,"url":null,"abstract":"In the context of instrumental teaching, developing student autonomy is a major goal of teachers in addition to transmitting knowledge and fostering musical learning. This research, which consists of two successive studies, focused on the development of student autonomy from the teacher’s perspective. In the first study, I conducted a qualitative analysis of 21 teachers’ beliefs and intentions with regard to the development of student autonomy and their roles in this process. The results showed that teachers considered themselves somewhat at the periphery of the process in which students attain autonomy. In the second study, I analyzed in depth the joint action of three teachers with their students during two successive lessons. My analysis of the film recordings revealed that teachers performed many pedagogical actions to develop student autonomy, albeit unconsciously and without verbalization. The results of this second study suggest that there are four possible teaching stances that make it possible to develop autonomy. Based on a synthesis of the two studies, I propose a model that helps teachers to develop student autonomy through the understanding and clarification of the four key phases of the self-regulation process.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356231216876","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
In the context of instrumental teaching, developing student autonomy is a major goal of teachers in addition to transmitting knowledge and fostering musical learning. This research, which consists of two successive studies, focused on the development of student autonomy from the teacher’s perspective. In the first study, I conducted a qualitative analysis of 21 teachers’ beliefs and intentions with regard to the development of student autonomy and their roles in this process. The results showed that teachers considered themselves somewhat at the periphery of the process in which students attain autonomy. In the second study, I analyzed in depth the joint action of three teachers with their students during two successive lessons. My analysis of the film recordings revealed that teachers performed many pedagogical actions to develop student autonomy, albeit unconsciously and without verbalization. The results of this second study suggest that there are four possible teaching stances that make it possible to develop autonomy. Based on a synthesis of the two studies, I propose a model that helps teachers to develop student autonomy through the understanding and clarification of the four key phases of the self-regulation process.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.