Who Was ‘She’ in Ancient Tamil Literature?

Jency GRACIA LOURDES, Francesco PERONO CACCIAFOCO
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Abstract

The representations of women in ancient Tamil literature are multifarious, and the development of such perceptions is a non-linear process. While existing studies provide extensive analyses of ancient literary works, it is still unclear how the perceptions of women eventually shaped a specific rubric for modern Tamil women to follow. Ancient Tamil literature characterises the feminine identity as a constantly evolving entity, not restricted to or encapsulated by any particular archetype or trait. In order to truly understand the role of the different portrayals of women in literature in eventually forming a “Tamil” identity, it is vital to unearth the multi-faceted intentions and motivations of writers who authored esteemed literary works, such as the Tolkāppiyam. The “Tamil” identity (or the norms one accepts and adheres to in order to qualify or identify as “Tamil”) has deep roots in ancient Tamil literature. Tamil Literature was not only pregnant with meaning to Tamils back then but also now, with effects proliferating within modern Tamil society in ways more than one, especially in the social and psychological domains.
古代泰米尔文学中的 "她 "是谁?
古代泰米尔文学中的女性形象多种多样,而这种观念的形成是一个非线性的过程。虽然现有的研究对古代文学作品进行了广泛的分析,但仍不清楚对女性的认识如何最终形成了现代泰米尔女性所遵循的特定标准。古代泰米尔文学将女性身份描述为一个不断演变的实体,并不局限于或概括于任何特定的原型或特征。为了真正理解文学作品中对女性的不同描写在最终形成 "泰米尔 "身份方面所起的作用,至关重要的是要挖掘出那些撰写受人尊敬的文学作品(如 Tolkāppiyam )的作家的多方面意图和动机。泰米尔人 "身份(或一个人为了获得 "泰米尔人 "的资格或认同而接受和遵守的规范)深深植根于古代泰米尔文学。泰米尔文学不仅对当时的泰米尔人具有深远的意义,而且对现在的泰米尔人也具有深远的意义,其影响在现代泰米尔社会中以多种方式扩散,特别是在社会和心理领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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