Dark Humor in the Poetry of Sherman Alexie and Ahmed Matar: A Comparative Study

Mustafa Amjed Jasim Al-Hemeedawi, Shahad Ammar Adul Hadi
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Abstract

Dark humor is a form of comedy that explores taboo topics such as death, disease, and tragedy. While it is often controversial and can be offensive to some, it is also a means of coping with difficult or uncomfortable topics and offering a fresh perspective on societal norms. Just as stated by Merriam-Webster’s Encyclopedia of Literature, dark humor or black humor is a kind of humor that is marked by the use of morbid, ironic, or grotesquely comic episodes that ridicule human folly. However, this paper examines the concept of dark humor by tackling some of the significant poems of the English poet “Sherman Alexie” and the Iraqi poet “Ahmed Matar.” Those two poets discuss subjects and problems of real-life experiences. The purpose of this research is to shed light on Native Americans' daily lives on reservations and demonstrate their pain as well as the poet’s personal experience there, which is discussed by Sherman Alexie in his poems, “Futures”, “Traveling”, “Translated from the American”, “Giving Blood”, “War all the time”, “Reservation cap driver”, “The mice war”.  While the Iraqi poet tended to criticize Arab rules, the lack of freedom they force, their use of torture, the government, and their persuasion of authority at all costs. Here are some of his notable poems that this research are going to explain and make critique in details. “They put a watchdog on my mouth", "وَضَعوا فوقَ فمي كلبَ حِراسه",  “My awful silence”, "صمتي الرهيب", “The lost Caravan”, "قافلة تائهة". Ultimately, this paper aims to offer a fair viewpoint on the usage of dark humor and to stimulate additional investigation into its psychological and social significance. It can be hypothesized that Dark humor has been used heavenly by Ahmed Matar and Sherman Alexie in their poetry, and the researcher is going to show the importance of using humor is to attack the capitalist system, as  in Sherman Alexie country, and the ruthless hegemonic government as in Ahmed Matar' country. It is used to show vulgarity of governments and to amuse the audience to certain extent.
谢尔曼-阿列克谢和艾哈迈德-马塔尔诗歌中的黑色幽默:比较研究
黑色幽默是一种探讨死亡、疾病和悲剧等禁忌话题的喜剧形式。虽然它经常引起争议,并可能冒犯某些人,但它也是一种应对困难或令人不舒服的话题的手段,并为社会规范提供了一个全新的视角。正如《梅里亚姆-韦伯斯特文学百科全书》所述,黑色幽默或黑色幽默是一种幽默,其特点是使用病态、讽刺或怪诞的喜剧情节来嘲笑人类的愚蠢。然而,本文通过研究英国诗人谢尔曼-阿莱克西和伊拉克诗人艾哈迈德-马塔尔的一些重要诗作来探讨黑色幽默的概念。这两位诗人讨论的主题和问题都是现实生活中的经历。这项研究的目的是揭示美国原住民在保留地的日常生活,展示他们的痛苦以及诗人在那里的亲身经历,谢尔曼-阿莱克西在他的诗歌《未来》、《旅行》、《从美国人翻译过来》、《献血》、《战争无时不在》、《保留地的司机》、《老鼠战争》中讨论了这些问题。 伊拉克诗人倾向于批评阿拉伯人的规则、他们强迫人们缺乏自由、使用酷刑、政府以及不惜一切代价说服权威。以下是他的一些著名诗作,本研究将对其进行详细解释和批评。"他们在我的嘴上放了一只看门狗"、"وَضَعوا فوقَ فمي كلبَ حِراسه" 、"我可怕的沉默"、"صمتي الرهيب"、"迷失的大篷车"、"قافلة تائهة"。最终,本文旨在为黑色幽默的使用提供一个公正的观点,并激发对其心理和社会意义的更多研究。可以假设,艾哈迈德-马塔尔和谢尔曼-阿莱克西在他们的诗歌中天马行空地使用了黑色幽默,研究者要说明的是,使用幽默的重要性在于抨击资本主义制度(如谢尔曼-阿莱克西的国家)和无情的霸权政府(如艾哈迈德-马塔尔的国家)。它被用来展示政府的庸俗,并在一定程度上取悦观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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