Making Vessels for the Dead: Pottery-Making Practices, Chaîne Opératoire and the Use of Grog (Crushed Sherds) as a Technological and Cultural Choice during Late and Inca Periods in the Northwestern Argentine Region (Southern Andes)

Abstract

Pottery-making practices have been approached by the use and application of the concept of chaîne opératoire in different parts of the world. This concept has allowed researchers to re-evaluate the social dimensions of technological studies as well as to explore aspects related to technical and social identity of ancient and modern artisans. In this article, we examine the use of grog (crushed sherds) to temper specific ceramic vessels (infant funerary urns) as material practice often used by ancient potters during Late (c. 950–1450 AD) and Inca (c. 1450–1532 AD) Periods in the Northwestern Argentine (NWA) region. The research shows that this practice can be understood as a ritual material practice with a long-standing tradition in the NWA region. Additionally, several alternative interpretations of this practice are explored in the light of different – animistic – understandings of how the Andean world works, and how people interact each other, with material things, and with landscape.