Editorial Statement

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-10-01 DOI:10.1162/artm_e_00360

引用次数: 0

Abstract

The writings in this issue all share a preoccupation with the silences, disappearances, and contradictions within historical archives. Across national, regional, and diasporic spaces, they attend to the deliberate acts of remembering and forgetting that accompanied the political, economic, and technological shifts of the postwar era. Often violent, sometimes incomplete, these shifts required and begat different roles for artistic practice. The turbulence and legacies of 1968, the collective traumas of ethno-nationalist wars, or the ongoing struggles of liberation and neocolonialism have led artists in Mexico, Britain, the Balkans, and Palestine to revalue materials, approaches, and commitments to community.

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社论声明

本期的文章都关注历史档案中的沉默、消失和矛盾。跨越国家、地区和散居空间，他们关注的是伴随战后政治、经济和技术变革而来的有意识的记忆和遗忘行为。这些转变往往是暴力的，有时是不完整的，它们要求并催生了艺术实践的不同角色。1968年的动荡和遗产，种族民族主义战争的集体创伤，或者正在进行的解放和新殖民主义斗争，导致墨西哥、英国、巴尔干半岛和巴勒斯坦的艺术家重新评估材料、方法和对社区的承诺。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.