Research of Characteristics of Mental Images of Movements in Martial Artists

Irina S. Polikanova, Sergey V. Leonov, Alexey V. Isaev
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Abstract

The study investigated the specificity of mental images of martial artists when presenting certain actions (hip throw, miller, dive, transfer, leg pass) using a modified questionnaire to identify the features of mental images. 19 subjects (age 22 ± 3.6 years, male) participated in the study, nine of whom were wrestlers The subjects presented the above techniques in their performance several times. The following were analyzed: foreshortening, type of landmarks in the control of the presented movement, and chronometric characteristics of mental images. The results showed that experienced athletes were characterized, as a rule, by a stable foreshortening — predominantly from the 1st person. Fewer experienced athletes had a dominant 3rd-person perspective. There were pauses in the chronometric indices of experienced athletes in order to work through certain moments. In novice athletes, the rate of presentation of skills almost always corresponded to the real one. Muscle sensations dominated when describing skills in experienced martial artists. The beginners were dominated by visual characteristics, external forms.
武术家动作心理意象特征研究
本研究采用修改后的问卷调查方法,考察武术家在进行某些动作(掷髋、扑髋、俯冲、转移、腿传)时的心理图像的特异性,以确定心理图像的特征。19名受试者(年龄22±3.6岁,男性)参与研究,其中9名为摔跤运动员。以下是分析:缩短,标志的类型在控制呈现的运动,和心理图像的时间特征。结果表明,经验丰富的运动员的特点是,作为一个规则,稳定的缩短-主要来自第一人称。很少有经验丰富的运动员拥有占主导地位的第三人称视角。经验丰富的运动员在计时指标中会有停顿,以便完成某些时刻。在新手运动员中,技术表现的比率几乎总是与真实的相符。在描述有经验的武术家的技巧时,肌肉感觉占主导地位。初学者以视觉特征,外部形式为主。
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