A Conceptual bridge where critical reflexivity meets the leadership warrior mystique archetype

Pumela Msweli
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Abstract

The objective of this paper is to present a conceptual integration of critical reflexivity and leadership archetype theory to capture the traits and characteristics of leaders leading in extreme contexts. Casting a historiometric glance at wars, battles and conflicts led by women warriors alongside their men in Africa during the trans-Atlantic trade period in the 15th to the 19th century, this paper argues that there is no context where leadership qualities are more discernible and pivotal than in extreme contexts. The paper offers the dance metaphor and archetypes as a theoretical bridge and a tool to problematise leadership performance in extreme contexts. Dance as an operative metaphor makes visible the invisible virtuosity of a leader. The paper builds an argument that dance mobilises a visual expression of mental, emotional, spiritual and physical reflexivity. Epistemically, the paper take a stance that the warrior mystique archetypical energy of an effective leader is relative, and is imprinted in a leader’s “inner theatre” within cultural contexts facilitated by reflexivity capabilities. The paper concludes by demonstrating the contingent and fluid nature of leadership in extreme contexts, and how its practices enable the development of a special kind of nimbleness, agility, kinetic, intuitive, visual, mystique warrior leadership capabilities, required to lead influentially and impactfully in transformative and liberating ways.
批判性反思与领导战士神秘原型的概念桥梁
本文的目的是提出批判性反身性和领导原型理论的概念整合,以捕捉极端情境下领导的特征和特征。通过对15世纪至19世纪跨大西洋贸易时期在非洲由女战士和男战士领导的战争、战斗和冲突的历史计量学分析,本文认为,在极端的背景下,没有什么比领导素质更明显和关键的了。本文提供了舞蹈隐喻和原型作为理论桥梁和工具,在极端情况下问题的领导表现。舞蹈作为一种有效的隐喻,使领导者无形的精湛技艺显现出来。本文建立了一个论点,即舞蹈调动了心理、情感、精神和身体反身性的视觉表达。在认识论上,本文的立场是,有效领导者的战士神秘原型能量是相对的,并且在反身能力促进的文化背景下,烙印在领导者的“内心剧场”中。论文最后展示了极端环境下领导力的偶发性和流动性,以及它的实践如何使一种特殊的敏捷、敏捷、动力、直觉、视觉、神秘的战士领导能力得以发展,这种能力是以变革和解放的方式进行有影响力和有影响力的领导所必需的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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