Crafts and the Origins of Geometry

Q1 Arts and Humanities
Ricardo Nemirovsky, Stephanie Bunn, Francesca  Silverton
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引用次数: 0

Abstract

In this paper, we explore the possible roles of craftwork at the origins of geometry. Since shapes are the characters of geometry, our focus is on crafting shapes. We review two approaches to the nature of making: hylomorphism and hylonoesis. Related to these, we distinguish between ‘shape’ and ‘shaping’. From studies on prehistoric pottery, we explore a conception of ‘shaping’ as thoroughly implicated by the manifold social, biological, and material life of a community. Then we explore the significance of ’shaping’, which animate shapes, immerse them in the vagaries of materiality, and fill them with secrets longing for their open realization; a realization that is at once — inseparably — material and imaginary. We make shapes as they shape our bodies, and then we become capable of imagining and gesturing them.
手工艺和几何学的起源
在本文中,我们探讨了工艺在几何起源中的可能作用。由于形状是几何的特征,我们的重点是制作形状。我们回顾了制造本质的两种方法:同源性和同源性。与此相关,我们要区分“shape”和“shaping”。通过对史前陶器的研究,我们探索了一个“塑造”的概念,它与一个社区的多种社会、生物和物质生活密切相关。然后,我们探索“塑造”的意义,让形状充满活力,让它们沉浸在变幻莫测的物质中,并让它们充满渴望开放实现的秘密;一种同时——不可分割地——是物质的和想象的实现。我们塑造形状,就像它们塑造我们的身体一样,然后我们有能力想象和用手势来表达它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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