‘Where is the new constitution?’ Activist art and the politics of space in Iceland

IF 2.4 2区 社会学 Q3 ENVIRONMENTAL STUDIES
Liam O’Farrell, Katrín Oddsdóttir
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引用次数: 0

Abstract

In 2008, Iceland experienced one of the largest banking crashes in history. Protests against the government emerged, and as a response the country set in motion a process to rewrite its constitution. In 2011 the world’s first ‘crowdsourced constitution’ was presented to Parliament, following which two-thirds of voters in a national referendum said “yes” to the document being the basis for the Constitution of Iceland. Despite this, successive governments have repeatedly failed to implement constitutional reform. In this context, grassroots activists have campaigned to keep the issue of the new constitution alive, including through an artistic campaign. This article is the first study of this art and consideration of how Iceland’s political struggles have played out in space. Applying Duncombe’s methodology of affective effect, we present an evidence-based case of art achieving quantifiable goals, suggesting broader social change. Given that policies pursued by the government have changed the nature and use of space in the country, activist art is shown to have a significant capacity to reinvigorate the democratic functions of space, with effects that can be observed both within and without political institutions.
“新宪法在哪里?”冰岛的激进主义艺术和空间政治
2008年,冰岛经历了历史上最大的银行崩溃之一。反对政府的抗议活动出现了,作为回应,该国启动了修改宪法的进程。2011年,世界上第一部“众包宪法”被提交给议会,随后三分之二的选民在全民公决中表示支持该文件成为冰岛宪法的基础。尽管如此,历届政府都一再未能实施宪法改革。在这种背景下,草根活动人士一直在努力让新宪法的议题继续存在,包括通过一场艺术运动。这篇文章是第一次研究这种艺术,并考虑冰岛的政治斗争是如何在太空中发挥作用的。运用邓库姆的情感效应方法论,我们提出了一个基于证据的艺术实现可量化目标的案例,表明了更广泛的社会变革。鉴于政府推行的政策已经改变了国家空间的性质和使用,激进主义艺术被证明具有振兴空间民主功能的重要能力,其影响可以在政治机构内外观察到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.50
自引率
7.40%
发文量
78
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