Visual audience gatekeeping on social media platforms: A critical investigation on visual information diffusion before and during the Russo–Ukrainian War

IF 6.5 2区 管理学 Q1 INFORMATION SCIENCE & LIBRARY SCIENCE
Khalid Durani, Andreas Eckhardt, Walid Durani, Tim Kollmer, Nils Augustin
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Abstract

Gatekeepers, including prerogative elites and institutions, possess multifaceted tools for controlling information. Historically, these gatekeepers have systematically instrumentalized visual information to shape audience perceptions in alignment with specific agendas. However, the advent of social media platforms has disrupted these power dynamics, empowering audiences through user-driven visual information exchanges. This has led to visual audience gatekeeping whereby users act as audience gatekeepers by selectively disseminating visual content, thus shaping information diffusion. While this democratisation of gatekeeping holds considerable promise for user empowerment, it also presents risks. These risks stem from the inherently persuasive yet manipulative qualities of visual content, compounded by users' susceptibility to unconscious biases, especially during polarising events. Therefore, we critically investigated visual audience gatekeeping in the context of the Russo–Ukrainian War, specifically focusing on a Reddit subforum devoted to Russia-related discussions. We find that visual audience gatekeeping operates within a paradigm that reflects the social reality the audience embraces. Audience gatekeepers disseminate visual information both to reproduce and defend an idealised conception of this social reality. Collectively, they produce a visual echo chamber characterised by low information diversity, which, in turn, reinforces and perpetuates the incumbent paradigm. However, heightened social tensions can trigger a paradigm shift and amplify the reproduction and defence processes, increasing the potential for the diffusion of more radical and extreme visual narratives. Based on our findings, we propose a theoretical model of visual audience gatekeeping, which has important implications for research on visuals, gatekeeping and social media platforms.

Abstract Image

社交媒体平台上的视觉受众把关:俄乌战争前和战争期间视觉信息传播的批判性研究
把关人,包括特权精英和机构,拥有多方面的信息控制工具。从历史上看,这些守门人系统地利用视觉信息来塑造受众的观念,使其与特定的议程保持一致。然而,社交媒体平台的出现打破了这些权力动态,通过用户驱动的视觉信息交流赋予受众权力。这导致了视觉受众把关,即用户通过有选择地传播视觉内容来充当受众把关人,从而影响信息传播。虽然这种把关的民主化为用户赋权带来了巨大希望,但也带来了风险。这些风险源于视觉内容固有的说服力和操纵性,再加上用户容易受到无意识偏见的影响,尤其是在两极分化的事件中。因此,我们对俄乌战争背景下的视觉受众把关进行了批判性研究,特别关注了 Reddit 专门讨论俄罗斯相关问题的子论坛。我们发现,视觉受众把关是在反映受众所接受的社会现实的范式中运作的。受众把关人传播视觉信息,既是为了再现这一社会现实,也是为了捍卫这一社会现实的理想化概念。他们共同制造了一个以信息多样性低为特点的视觉回声室,这反过来又强化和延续了现存的范式。然而,社会紧张局势的加剧可能会引发范式的转变,扩大复制和防御过程,增加更激进、更极端的视觉叙事传播的可能性。基于我们的研究结果,我们提出了视觉受众把关的理论模型,这对视觉、把关和社交媒体平台的研究具有重要意义。
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来源期刊
Information Systems Journal
Information Systems Journal INFORMATION SCIENCE & LIBRARY SCIENCE-
CiteScore
14.60
自引率
7.80%
发文量
44
期刊介绍: The Information Systems Journal (ISJ) is an international journal promoting the study of, and interest in, information systems. Articles are welcome on research, practice, experience, current issues and debates. The ISJ encourages submissions that reflect the wide and interdisciplinary nature of the subject and articles that integrate technological disciplines with social, contextual and management issues, based on research using appropriate research methods.The ISJ has particularly built its reputation by publishing qualitative research and it continues to welcome such papers. Quantitative research papers are also welcome but they need to emphasise the context of the research and the theoretical and practical implications of their findings.The ISJ does not publish purely technical papers.
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