Time and the Universe in the Iconography of the Guyart des Moulins’s “Bible Historiale”

IF 0.1 Q3 HISTORY
Soshnikova Kseniia
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引用次数: 0

Abstract

This article is devoted to the study of Guyart des Moulins’s “Bible Historiale” (“Historical Bible”) illumination art on the example of two codices preserved in the National Library of Russia. The “Bible Historiale”, which combined the translation of the Vulgate and the “Historia Scholastica” by Peter Comestor into French, was one of the most popular translations of the Bible in France and preserved in numerous copies. The manuscripts from the National Library of Russia stand out among other surviving copies of the Guyart des Moulins’s work for their unusual iconography. The author examines the illumination features of the Bible in the 14th century and shows how the subjects of time and the universe, the order of the earthly and heavenly worlds were reflected in the miniatures and the text of the Historical Bible. These topics reveal the outlook on the universe of medieval man, his attitude to life and history.
古雅特·德·穆兰《圣经史学》肖像学中的时间与宇宙
本文以俄罗斯国家图书馆保存的两本手抄本为例,研究古雅特·德·穆兰的《圣经历史》(“Historical Bible”)照明艺术。《圣经史学》结合了彼得·科米斯特(Peter Comestor)的《拉丁文译本》和《经院历史》(Historia Scholastica)的法语译本,是法国最受欢迎的《圣经》译本之一,保存了许多本。这些来自俄罗斯国家图书馆的手稿因其不同寻常的图像而在其他现存的古雅特·德·穆兰作品副本中脱颖而出。作者研究了14世纪圣经的照明特征,并展示了时间和宇宙的主题,地上和天上世界的秩序如何反映在微缩和历史圣经的文本中。这些话题揭示了中世纪人的宇宙观,他对生活和历史的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
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127
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