The Horseman of the Seal of Ivan III: Sources of Visual Image

IF 0.1 Q3 HISTORY
Evgeny Pchelov
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引用次数: 0

Abstract

The article analyzes the image of a rider defeating a dragon on the front side of the seal of Ivan III of the 1490s. This image has a number of characteristic features, including a special method of sitting on a horse and holding a spear. These features are not characteristic of the old Russian art of the XV century, however, they find analogues in the works of art of the Italian Quattrocento. They go back to the ancient tradition of depicting a horseman armed with a spear, which Renaissance masters could get acquainted with by the example of the monumental monuments of Rome. Thus, the master of the seal of Ivan III could belong to the Florentine-Roman art school, and perhaps it was the Roman master Christopher mentioned in the chronicles.
伊凡三世封印的骑士:视觉影像的来源
本文分析了1490年代伊凡三世印章正面的骑手战胜龙的形象。这幅画有许多特征,包括一种特殊的骑在马上并拿着长矛的方法。这些特征并不是15世纪俄罗斯艺术的特征,然而,它们在意大利四世纪的艺术作品中找到了类似的东西。他们可以追溯到古代的传统,描绘一个手持长矛的骑手,文艺复兴时期的大师们可以通过罗马不朽的纪念碑来了解这一点。因此,伊凡三世印章的主人可能属于佛罗伦萨罗马艺术学校,也许是编年史中提到的罗马大师克里斯托弗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
0.00%
发文量
127
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