The Representation of Radical Feminism in Black Widow Movie Directed by Cate Shortland

Q4 Arts and Humanities
Scope Pub Date : 2023-10-16 DOI:10.30998/scope.v8i1.17704
Sri Arfani, Juhana Juhana, Nurul Vitria Hastutik
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引用次数: 0

Abstract

The goal of feminism is to fully establish gender equality in law and practice while combating sexism, sexist exploitation, and oppression. Cate Shortland is the director of the superhero science fiction film Black Widow. In the film, black widowed women are controlled by the Red Room Academy, a clandestine criminal organization. The primary character and former Black Widow Natasha Romanoff is depicted destroying the Red Room Academy and its male head, Dreykov. The theory of feminism and film analysis are used by the researcher to answer these research questions. There are three objectives in this research. The first objective is to describe the character value of Natasha in the movie. Next is to analyze the radical feminism shown by Natasha in the movie. Last, to analyze the moral value that the director wants to convey. This research was qualitative descriptive method by watching the movie and taking several scenes that were related to the theory. The results of this research reveal that: (1) There are three-character value from Natasha as the main character of the movie; independent, social care and perseverance. (2) The analysis reveals the radical feminism inclinations portrayed by Natasha Romanoff is the act of self-sacrifice. (3) The moral value found in Black Widow movie is about caring each other and women’s right.

凯特·肖特兰导演的电影《黑寡妇》中激进女权主义的表现
<div class="WordSection1">< ><span lang="EN-US">女权主义的目标是在反对性别歧视、性别剥削和性别压迫的同时,在法律和实践中充分确立性别平等。凯特·肖特兰(Cate Shortland)是超级英雄科幻电影《黑寡妇》(< </a>)的导演。在影片中,黑人寡妇被秘密犯罪组织“红屋学院”所控制。主要角色,前黑寡妇娜塔莎·罗曼诺夫被描绘成摧毁红屋学院和它的男校长德雷科夫。研究者运用女性主义理论和电影分析来回答这些研究问题。本研究有三个目的。第一个目标是描述娜塔莎在电影中的角色价值。接下来分析电影中娜塔莎所表现出的激进女权主义。最后,分析导演想要传达的道德价值。本研究采用定性描述的方法,通过观看电影,选取与理论相关的几个场景。研究结果表明:(1)娜塔莎作为电影的主要人物,具有三人格价值;独立,社会关怀和毅力。(2)分析表明,娜塔莎·罗曼诺夫所表现出的激进女权主义倾向是一种自我牺牲的行为。(3)《黑寡妇》电影的道德价值观是相互关怀和妇女权利。</span></p></div>
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Scope
Scope Arts and Humanities-Visual Arts and Performing Arts
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