Text setting in an Itelmen khodila: A phonological analysis

IF 1.9 1区 文学 0 LANGUAGE & LINGUISTICS
Language Pub Date : 2023-06-01 DOI:10.1353/lan.2023.a900096
Jonathan David Bobaljik, David Koester, Chikako Ono, Georgi Dmitrievich Zaporotskij
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引用次数: 0

Abstract

We examine a traditional Itelmen song type (itl; Chukotko-Kamchatkan) from the perspective of text setting: the phonological correspondence between spoken language and sung text. We suggest that the algorithm that relates spoken text to song in Itelmen is unlike the majority of examples considered in the literature on English and other languages, in that linguistic stress and metrical prominence play no discernible role, nor does syllable weight. Instead, the driving force appears to be matching word edges to (half-)measure boundaries, resulting in predictable anaptyxis (vowel epenthesis) and lengthening. The process is paraphonological in that it is related to, but distinct from, the regular phonology of the language, both in the quality of the epenthetic elements and in their placement. While the algorithm makes use of (and thus may inform us about) Itelmen phonotactics, the relationship is not readily characterizable as being phonotactically motivated but is instead controlled by a pattern of mapping linguistic syllables to musical beats.*
Itelmen khodila语篇设置:音系分析
我们研究了一种传统的Itelmen歌曲类型(itl;从文本设置的角度看楚科奇(堪察加语):口语与歌唱文本的语音对应关系。我们认为,Itelmen中将口语文本与歌曲联系起来的算法与英语和其他语言文献中考虑的大多数例子不同,因为语言重音和韵律突出没有明显的作用,音节重量也没有。相反,驱动力似乎是将单词边缘与(半)测量边界相匹配,从而导致可预测的连读(元音放大)和延长。这个过程是旁音系的,因为它与语言的规则音系有关,但又不同,无论是在外音元素的质量还是在它们的位置上。虽然该算法利用了Itelmen语音策略(因此可能会告诉我们),但这种关系并不容易被表征为语音策略驱动,而是由一种将语言音节映射到音乐节拍的模式所控制
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来源期刊
Language
Language Multiple-
CiteScore
4.20
自引率
0.00%
发文量
48
期刊介绍: Language, the official journal for the Linguistic Society of America, is published quarterly and contains articles, short reports, book reviews and book notices on all aspects of linguistics, focussing on the area of theoretical linguistics. Edited by Greg Carlson, Language serves a readership of over 5,000 and has been the primary literary vehicle for the Society since 1924.
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