Social interaction on craft fairs

Q1 Arts and Humanities
Judith Nyfeler, Patrik Aspers
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引用次数: 0

Abstract

Although digitalisation has had an impact on the business of fairs, especially during the years of the pandemic, the Covid-19 crisis has clearly shown that social interaction is vital for small businesses, such as craft enterprises. The physical co-presence of craft objects, makers and users as well as the immediateness of personal contact play a major role at craft fairs. Fairs revolve around trade, which is furthered by the many cultural and social aspects that constitute them. We argue that social interaction in marketplaces goes beyond economic transactions and show that face-to-face interactions are essential for building trust and social order. We identify different types of social interaction at craft fairs, all of which are collaborative ‒ fostering a sense of community, developing products and increasing their visibility ‒ in addition to being an economic transaction. This study is based on ethnographic research on craft fairs and craft producers in the field of furniture and garment making. We conclude by arguing that the findings on craft fairs can also be generalised to other cases.
手工艺集市上的社会互动
尽管数字化对博览会的业务产生了影响,特别是在大流行期间,但新冠肺炎危机清楚地表明,社交互动对工艺企业等小企业至关重要。手工艺品、制造者和使用者的共同存在以及个人接触的即时性在手工艺品博览会上发挥了重要作用。交易会围绕着贸易展开,而构成交易会的许多文化和社会方面又进一步推动了贸易。我们认为,市场中的社会互动超越了经济交易,并表明面对面的互动对于建立信任和社会秩序至关重要。我们在工艺品博览会上发现了不同类型的社会互动,所有这些都是协作的——培养社区意识,开发产品并提高它们的知名度——除了是一种经济交易。本研究是基于对家具和服装制造领域的工艺博览会和工艺生产者的民族志研究。我们的结论是,工艺博览会的发现也可以推广到其他情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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