Courtesans in Military Uniforms: Martial Spectacles by Cross-Dressing Courtesans of Ŭiju in the Late Chosŏn Period

Hyun Suk Park
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Abstract

Abstract This article explores the martial spectacles that the courtesans of Ŭiju, a town on the border of Chosŏn and Qing, offered to envoys and government officials of Chosŏn in the eighteenth and nineteenth centuries. Courtesans were deployed in the border towns by the Chosŏn government in order to provide entertainment honoring the envoys. Their performances, however, do not appear to be strictly aligned with their official obligation to glorify royal authority, as they developed into a repertoire of martial spectacles including a sword dance, horseback riding, a pseudomilitary inspection, and a group hunt. The article examines how the courtesans of Ŭiju cultivated their own performance repertoire by appropriating the heterogeneous resources of the local culture, which were often beyond the grasp of the dominant Confucian values, the hierarchies of gender and social status, and the dehumanizing power of state slavery.
穿军装的妓女:Chosŏn晚期Ŭiju变装妓女的武侠场面
摘要:本文探讨了18、19世纪Chosŏn与清朝交界的Ŭiju镇的妓女为Chosŏn的使节和政府官员提供的武功场面。Chosŏn政府在边境城镇部署了妓女,以便为特使提供娱乐。然而,他们的表演似乎并不严格符合他们荣耀王权的官方义务,因为他们发展成为一种军事表演,包括剑舞、骑马、伪军事检阅和集体狩猎。本文考察了Ŭiju的交际花是如何通过利用当地文化的异质资源来培养自己的表演曲目的,这些资源往往超出了主流儒家价值观、性别和社会地位的等级制度以及国家奴隶制的非人权力的掌握。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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