Dzieje Muzeum Kultury Łemkowskiej w Zyndranowej i jego rola w zachowaniu i propagowaniu kultury łemkowskiej

Roman Drozd
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引用次数: 0

Abstract

After World War II, the Lemko population was deported from their homeland to Poland by communist authorities. Material traces of their culture were left behind exposed to intentional and unintentional devastation. Some Lemko activists could not agree with the state of affairs and decided to prevent it. To this end, they set up a museum in an abandoned Lemko farm in the village of Zyndranowa. In the beginning, it was called the Hall of Lemko Culture Memorabilia but the name was later changed to the Museum of Lemko Culture. Their activity encountered difficulties from the communist authorities, particularly the local ones, who aimed to liquidate the museum. Among the main obstacles to achieving their goal were that the museum belonged to Teodor Gocz and the Lemko activists were determined to save the material traces of Lemko culture. The transformation of the Polish political system into a democratic one meant better times for the Lemko museum though it still faced problems to obtain money for its ongoing activity and overcome the reluctance of the local authorities and other museums. Nevertheless, the Museum of Lemko Culture has developed into an open-air museum and constitutes a connecting link between the deported Lemkos and their descendants with their old homeland.
辛德拉诺瓦莱姆科文化博物馆的历史及其在保护和促进莱姆科文化方面的作用
第二次世界大战后,莱姆科人被共产党当局从他们的家乡驱逐到波兰。他们文化的物质痕迹被遗留下来,暴露在有意或无意的破坏之下。一些Lemko活动人士不同意这种状况,决定阻止它。为此,他们在Zyndranowa村一个废弃的Lemko农场建立了一个博物馆。最初,它被称为莱姆科文化纪念品大厅,但后来更名为莱姆科文化博物馆。他们的活动遇到了共产党当局,特别是地方当局的困难,他们的目的是清算博物馆。实现目标的主要障碍之一是博物馆属于特奥多尔·戈奇(Teodor Gocz),而莱姆科活动人士决心保存莱姆科文化的物质痕迹。波兰政治体制向民主体制的转变对Lemko博物馆来说意味着更好的时光,尽管它仍然面临着为其正在进行的活动筹集资金的问题,并克服了地方当局和其他博物馆的不情愿。尽管如此,Lemko文化博物馆已经发展成为一个露天博物馆,并构成了被驱逐的Lemko人和他们的后代与他们的旧家园之间的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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