From Thin to Thick

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
Jacob G. Foster
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引用次数: 0

Abstract

This article argues that contemporary research practices in artificial intelligence will produce AI technologies incompatible with human flourishing, social complexity, or vibrant politics. Adopting James Scott's anarchist squint, it instead proposes a vision of AI that embraces local vernaculars, the multiplicity of objectives, the responsibilities that come with producing persons, and the potential of instigating rather than circumventing political contestation. To clarify the stakes, it draws on the key evolutionary idea of niche construction, contrasting the thin, universalizing, top-down construction characteristic of contemporary AI with thick, local, and contested co-construction. It also introduces the idea of semantic power, showing how AI's ability to impose objective functions on the world shapes our very categories of meaning. Finally, it calls for a new social science of possible worlds, outlining strategies for rigorous exploration of the imaginal world where unrealized but possible social arrangements reside.
从薄到厚
本文认为,当代人工智能的研究实践将产生与人类繁荣、社会复杂性或充满活力的政治不相容的人工智能技术。采用詹姆斯·斯科特(James Scott)的无政府主义观点,它提出了一种人工智能的愿景,包括当地方言、目标的多样性、生产人员的责任,以及煽动而不是规避政治争论的潜力。为了澄清利害关系,它借鉴了生态位构建的关键进化思想,将当代人工智能的薄、普遍、自上而下的构建特征与厚、局部、有争议的共同构建进行了对比。它还引入了语义力量的概念,展示了人工智能将客观功能强加于世界的能力如何塑造了我们的意义类别。最后,它呼吁建立一种新的可能世界的社会科学,概述了对想象世界进行严格探索的策略,在想象世界中,未实现但可能的社会安排存在。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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