MONEY FOR NOTHING?: CAN NFTS SOLVE MUSICIANS’ MONETIZATION PROBLEM?

Dan Ankenman
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Abstract

Despite the immeasurable value music provides society, finding ways to monetize their music is often an elusive and challenging prospect for musicians. The music industry has evolved into a consolidated “hits market” in which profits are highly concentrated in a small set of intermediaries and relatively few superstars. This “hits market” not only makes it incredibly difficult for most musicians to make a living with their music, it also fails to capture and compensate musicians who aren’t extremely popular for the significant value they create. In the face of this deadweight loss, non-fungible tokens (NFTs) could be a means of disrupting the economic status quo and creating a superior set of economic incentives for musicians. This Article is the first in the legal literature dedicated to evaluating the viability of NFTs as an additional income stream for musicians. After detailing the economics of the traditional music industry and providing a framework for understanding NFTs’ asserted value, this Article considers constraints imposed by contractual obligations and copyright law to analyze NFTs’ potential to transform music monetization. Ultimately, this Article concludes that, notwithstanding their limitations, NFTs are likely to be an important new source of revenue for musicians who have been left behind by the popularity-driven economic incentives of the traditional music industry.
白花钱?NFTS能解决音乐人的盈利问题吗?
尽管音乐为社会提供了不可估量的价值,但对音乐家来说,找到将音乐货币化的方法往往是一个难以捉摸和具有挑战性的前景。音乐产业已经演变成一个统一的“热门市场”,利润高度集中在一小部分中间商和相对较少的超级明星手中。这种“热门市场”不仅使大多数音乐家难以靠音乐谋生,而且也无法吸引和补偿那些不太受欢迎的音乐家,因为他们创造了巨大的价值。面对这种无谓的损失,不可替代代币(nft)可能是一种破坏经济现状的手段,并为音乐家创造一套更好的经济激励机制。本文是法律文献中第一篇致力于评估nft作为音乐家额外收入流的可行性的文章。在详细介绍了传统音乐产业的经济学并提供了一个理解nft所宣称的价值的框架之后,本文考虑了合同义务和版权法所施加的限制,以分析nft改变音乐货币化的潜力。最后,本文得出的结论是,尽管有其局限性,但对于那些被传统音乐产业的流行驱动型经济激励所抛弃的音乐家来说,nft可能是一个重要的新收入来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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