{"title":"Is she mad, or does she joke?","authors":"Melanie Kitchens O’Meara","doi":"10.1080/10462937.2023.2250413","DOIUrl":null,"url":null,"abstract":"ABSTRACTIs She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. I directed the show with a cast of 10 student performers at Augusta University in the fall of 2021.KEYWORDS: Countess de CastiglioneScherzo di Folliaportrait photographyperformancescript Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 To see the video, along with other footage and photographs from the rehearsal process and show, check out @TheatreAUG on Instagram from July to November 2021.2 Each performer had their own carte-de-visite that featured them posing as the Countess with a word like “Narcissist, Mad, or Feminist” and included details for the show. We handed them out for promotion, and the performers traded and passed them out in this scene. They are posted on the Instagram account.3 See Figure 1 in my artist statement “The Countess holds me.”4 This poem was included in Patricia Pace's adaptation of Christina Rossetti's “Goblin Market,” which I performed in as an undergraduate. I took it from Pace's script but was able to locate a source online, p. 283 of Derek B. Scott's Bawdy Songbooks of the Romantic Period.Additional informationFundingThis work was supported by Center for Undergraduate Research and Scholarship Summer Program.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"11 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Text and Performance Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10462937.2023.2250413","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACTIs She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. I directed the show with a cast of 10 student performers at Augusta University in the fall of 2021.KEYWORDS: Countess de CastiglioneScherzo di Folliaportrait photographyperformancescript Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 To see the video, along with other footage and photographs from the rehearsal process and show, check out @TheatreAUG on Instagram from July to November 2021.2 Each performer had their own carte-de-visite that featured them posing as the Countess with a word like “Narcissist, Mad, or Feminist” and included details for the show. We handed them out for promotion, and the performers traded and passed them out in this scene. They are posted on the Instagram account.3 See Figure 1 in my artist statement “The Countess holds me.”4 This poem was included in Patricia Pace's adaptation of Christina Rossetti's “Goblin Market,” which I performed in as an undergraduate. I took it from Pace's script but was able to locate a source online, p. 283 of Derek B. Scott's Bawdy Songbooks of the Romantic Period.Additional informationFundingThis work was supported by Center for Undergraduate Research and Scholarship Summer Program.
《她疯了,还是她开玩笑了》是我创作的一个合奏表演作品,它是基于我近二十年来对卡斯蒂廖内伯爵夫人和她的照片《莎佐·迪·弗利亚》的迷恋。2021年秋天,我和奥古斯塔大学的10名学生演员一起执导了这部剧。关键词:伯爵夫人de CastiglioneScherzo di folliap肖像摄影表演披露声明作者未报告潜在利益冲突。注1要查看该视频,以及排练过程和演出的其他镜头和照片,请查看Instagram上的@TheatreAUG,时间为2021年7月至11月。每个表演者都有自己的菜单,他们在菜单上扮演伯爵夫人,并写上“自恋者、疯子或女权主义者”等词,并附上演出的细节。我们为了宣传而分发,表演者在这个场景中交换并分发它们。他们被发布在Instagram账户上参见我的艺术家声明“伯爵夫人抱着我”中的图1。这首诗收录在帕特丽夏·佩斯根据克里斯蒂娜·罗塞蒂的《妖精市场》改编的剧本中,我在大学时曾在其中演出过。我是从佩斯的剧本里取的,但在网上找到了来源,德里克·b·斯科特(Derek B. Scott)的《浪漫时期下流歌本》(Bawdy Songbooks)第283页。本研究由本科生研究中心和暑期奖学金项目资助。