A future without homophobia? Gay men and personal responsibility in the Chilean telenovela Casa de Muñecos

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2023-09-12 DOI:10.1177/17496020231201747

Ricardo Ramírez

引用次数: 0

Abstract

The inclusion of four gay characters in the telenovela Casa de Muñecos (2018-9) was an event that, until then, had not taken place in any other Chilean telenovela. Through a qualitative textual analysis of these figures, this article argues that the programme has strengthened a neoliberal discourse of personal responsibility that makes gay men not only accountable for their own well-being but also for the well-being of others, as they are singled out as responsible for making the ‘right’ decisions that will contribute to the process of articulating a non-homophobic future in the country.

查看原文本刊更多论文

一个没有同性恋恐惧症的未来?智利肥皂剧《Casa de Muñecos》中的男同性恋者和个人责任

在此之前，在智利的任何其他电视剧中都没有出现过在肥皂剧Muñecos(2018-9)中包含四个同性恋角色的事件。通过对这些数字的定性文本分析，本文认为该计划加强了个人责任的新自由主义话语，使男同性恋者不仅为自己的福祉负责，也为他人的福祉负责，因为他们被挑出来负责做出“正确”的决定，这将有助于在这个国家阐明一个不恐同的未来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.