New Outlooks on the Origin of Minnan-Style Cresting

Zhenqiang Li
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Abstract

To answer the question of whether the decorative craftsmanship of "Minnan-style" architecture has artistic value, the historical evolution of the decorative craftsmanship is examined in this study through three types of evidence: historical literature, historical images, and architectural history, thus inferring that the "Minnan-style" cresting art is divided into two major artistic features: the "Quanzhou style" and the "Chaozhou style," as well as the fusion of two crafts: "Porcelain-cutting Sculpture" and "Jiaozhi Pottery." The "Minnan-style" cresting originated from Quanzhou Port during the Song and Ming dynasties, which merged with the Chaozhou cresting style during the Kangxi period of the Qing Dynasty in the "Xianshui Temple, Taiwan County". The "Minnan-style" cresting art, which combines the ideas of ritual and music with inspiration from foreign art, was born from this.
闽南式冠纹起源新探
为了回答“闽南式”建筑装饰工艺是否具有艺术价值的问题,本研究通过历史文献、历史影像和建筑史三种证据考察闽南式装饰工艺的历史演变,从而推断“闽南式”装饰艺术分为“泉州式”和“潮州式”两大艺术特征,以及两种工艺的融合:“切瓷雕塑”和“交植陶”。“闽南式”鸡冠起源于宋明时期的泉州港,清代康熙时期在“台湾县仙水寺”与潮州鸡冠风格融合。将礼乐思想与外来艺术的灵感相结合的“闽南式”冠饰艺术由此诞生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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