Cultural Consumption in Contemporary Society and Popular Aesthetics: The Interplay between Commodification and Abstract Thinking

Jiaying Zhu
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Abstract

The material manifestation of literary and artistic endeavors inherently assumes the character of commodities. In the contemporary landscape of cultural creation, a gradual shift is discernible towards the production of cultural commodities. Inasmuch as culture, when commodified, necessitates its entry into the marketplace, it becomes inexorably entwined with the stages of production, circulation, consumption, and distribution within that market milieu. To render cultural commodities consumable, it is imperative that their production caters to the predilections of the masses. However, if contemporary aesthetic cultural consumption remains unilaterally fixated on technicality, formalism, and emotional stimulation, it not only risks supplanting spiritual gratification with emotional catharsis but also, over the course of time, threatens to atrophy abstract reasoning faculties, thereby propelling human pursuits further towards irrationality.
当代社会的文化消费与大众审美:商品化与抽象思维的相互作用
文艺活动的物质表现形式,本质上具有商品性质。在当代文化创作的格局中,可以看出一种逐渐转向文化商品生产的趋势。由于文化一旦被商品化,就必然要进入市场,因此它就不可避免地与市场环境中的生产、流通、消费和分配阶段纠缠在一起。要使文化商品具有可消费性,就必须使文化商品的生产符合群众的喜好。然而,如果当代审美文化消费仍然片面地关注技术性、形式主义和情感刺激,它不仅有用情感宣泄取代精神满足的风险,而且随着时间的推移,有可能使抽象推理能力萎缩,从而推动人类追求进一步走向非理性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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