Body, Memory, and Utopia: Exploring the Survival Predicament and Realist Allegory in Burning Chrome

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Abstract

: The progenitor of cyberpunk, William Gibson, in his anthology of short stories titled Burning Chrome , meticulously crafts a portrayal of human survival within a near-future world characterized by the paradoxical juxtaposition of advanced technology and societal degradation encapsulated by the adage "high-tech, low-life." This paper converges its analytical lens on the narrative's delineation of alienated corporeal manifestations, fragmented mnemonic constructs, and the disillusionment of utopian aspirations. Under the pervasive infiltration of capitalist hegemony, the human body metamorphoses into vessels, symbols, and offerings, becoming integral to the construction and functioning of the societal fabric. Manipulated through the agency of information technology, the fragmentation and rupture of individual memories instigate the attenuation of emotional resonance and the perturbation of identity. At the same time of the disintegration of subjectivity, human hope is directed to the futile pursuit of conceptualization and utopia. Gibson's introspective reflections and metaphorical allusions to contemporary authenticity stand out through a careful exploration of the collective dilemmas facing humanity in an urgent socio-cultural environment.
身体、记忆与乌托邦:探索《燃烧的铬》中的生存困境与现实主义寓言
赛博朋克的鼻祖威廉·吉布森(William Gibson)在他的短篇小言集《燃烧的铬》(Burning Chrome)中,一丝不苟地描绘了人类在近未来世界中的生存状况,其特点是先进技术与社会退化的矛盾并存,这句格言概括为“高科技,低级生活”。本文将其分析的焦点集中在叙事对异化的肉体表现、碎片化的记忆结构和乌托邦理想幻灭的描绘上。在资本主义霸权的渗透下,人体蜕变为容器、符号和供品,成为社会结构建设和功能的组成部分。在信息技术的操纵下,个体记忆的碎片化和断裂引发了情感共鸣的衰减和身份的扰动。在主体性解体的同时,人的希望被导向对概念化和乌托邦的徒劳追求。吉布森对当代真实性的内省反思和隐喻典故通过对人类在紧迫的社会文化环境中面临的集体困境的仔细探索而脱颖而出。
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