The solar space in the history of the text of M.A. Bulgakov’s novel “Master and Margarita” (Part 1)

IF 0.1 0 LANGUAGE & LINGUISTICS
Elena Yu. Kolysheva
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引用次数: 0

Abstract

The article is devoted to the consideration of the formation of solar space in the history of the text of M.A. Bulgakov’s novel “The Master and Margarita”. The author of this paper try to understand the writer’s intention based on a textual analysis of the novel. In our work, we rely on the system of editions of the novel that we have established and its main text, reflecting the last creative will of the author to the fullest extent: the first (1928–1930), the second (1932–1936), the third (1936), the fourth (1937), the fifth (last handwritten, 1937–1938), the sixth (final, 1938–1940). The draft texts are conveyed by dynamic transcription, which will make visible the process of writer’s work on the creation and allow us to see the formation of the author’s intention. Graphic conventions are used for this: 1) a piece of text crossed out by the writer — [text]; 2) an insert during the writing process — text; 3) an insert crossed out — [text]; 4) a later insert — {text}; 5) a later insert crossed out — {text}; 6) a conjecture — ; 7) reliability of the transmitted author’s text — ; 8) the end of a page and the transition to the next one are indicated by two straight vertical lines ||. When quoting draft texts, the author’s spelling and punctuation are preserved.
布尔加科夫小说《大师与玛格丽塔》文本历史中的太阳空间(上)
本文对布尔加科夫小说《大师与玛格丽塔》文本历史中太阳空间的形成进行了思考。本文试图通过对小说的文本分析来理解作者的写作意图。在我们的工作中,我们依赖于我们所建立的小说版本系统及其主要文本,最大程度地反映了作者最后的创作意愿:第一部(1928-1930),第二部(1932-1936),第三部(1936),第四部(1937),第五部(1937 - 1938年最后的手写版),第六部(1938-1940年最后的定稿版)。草稿文本采用动态抄写的方式进行传递,可以看到作者创作的过程,也可以看到作者意图的形成。图形约定用于此:1)由作者划掉的一段文本- [text];2)在写作过程中插入——文本;3)插入部分划掉-[文本];4)稍后插入- {text};5)一个稍后插入的划掉- {text};6)一个猜想- <text>;7)传输作者文本的可靠性<sic>;8)一页的结束和下一页的过渡由两条笔直的垂直线||表示。在引用草稿文本时,保留作者的拼写和标点符号。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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