As in Forests, So in Verse: Clearings and the Poetics of Lack in Finnish Forest Poetry

IF 0.2 0 LITERATURE
Karoliina Lummaa
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引用次数: 0

Abstract

Forests and forestry have been recurrent topics in Finnish environmental poetry since the 1970s, reflecting the importance of the cultural meanings of forests and forest-related livelihoods in Finland. Despite the recent forest boom in Finnish contemporary art and literature, contemporary sylvan poetics in Finnish poetry has remained an understudied topic. Moreover, the wider ecocritical discussions on the artistic and poetic dimensions of forest management and economy are still scarce, at least in the Nordic cultural context. To ignite these discussions, this study examines the meanings of forest clearings in contemporary Finnish poetry. Theoretically, this study draws from ecocriticism, with a particular emphasis on ecopoetics. By focusing on typography, rhetorics and thematics, this article shows how forest poems written by Jouni Tossavainen, Janette Hannukainen and Mikael Brygger combine technical forestry terminology with affective language and visual means to express anthropogenic changes in forests, resulting in a specific expressive style conceptualised as the poetics of lack. This poetics consists of ideas and rhetorical and typographical elements that together denote and express a variety of experiences, emotions and thoughts regarding a lack of trees, as well as a lack of natural organisation in forest growth.
森林如其诗:芬兰森林诗歌中的空旷与匮乏诗学
自20世纪70年代以来,森林和林业一直是芬兰环境诗歌中反复出现的主题,反映了芬兰森林和与森林有关的生计的文化意义的重要性。尽管近年来芬兰当代艺术和文学中出现了森林热潮,但芬兰诗歌中的当代森林诗学仍然是一个未被充分研究的话题。此外,关于森林管理和经济的艺术和诗歌维度的更广泛的生态批评讨论仍然很少,至少在北欧文化背景下是这样。为了激发这些讨论,本研究考察了森林砍伐在当代芬兰诗歌中的意义。从理论上讲,本研究借鉴了生态批评,特别强调生态诗学。本文从版式、修辞学和主题学三个方面探讨了托萨瓦宁、珍妮特·汉努凯宁和米凯尔·布里格尔的森林诗歌如何将林业专业术语与情感语言和视觉手段结合起来,表达森林的人为变化,从而形成一种被概念化为匮乏诗学的特定表达风格。这种诗学由思想、修辞和排版元素组成,它们共同表示和表达了关于树木缺乏的各种体验、情感和思想,以及森林生长中缺乏自然组织。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Childrens Literature
Childrens Literature LITERATURE-
CiteScore
0.30
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