Post-Civil War Literary Fiction: A Catalyst for Understanding Sierra Leone's Recent Past, Present, and Future

Abioseh Michael Porter
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Abstract

ABSTRACT: Until very recently, it seemed that a major difference between the literature of Sierra Leone and the literatures of its other West African neighbors was the absence, especially in prose fiction, of a sustained body of work by Sierra Leonean authors. This situation might seem mystifying to scholars of Sierra Leone's social and intellectual history because, after all, that country had played a major and pioneering role in the development and spreading of Western education in West Africa. This fundamental narrative of the inability of Sierra Leone's creative writers to produce high quality literature, in current times, has been seriously challenged by several new authors. This article analyzes the ways in which Sierra Leonean literature has moved from a space in which its earliest writers failed to understand fiction writing as a major outlet to express the dreams, nightmares, hopes and desires of a people to one in which high quality fiction is flourishing. It highlights how the civil war and its dreadful aftermath changed the literary landscape in Sierra Leone in many positive ways.
内战后的文学小说:理解塞拉利昂最近的过去、现在和未来的催化剂
摘要:直到最近,塞拉利昂文学与其他西非邻国文学之间的一个主要区别似乎是缺乏塞拉利昂作家的持续作品,尤其是在散文小说方面。对于研究塞拉利昂社会和思想史的学者来说,这种情况似乎令人费解,因为塞拉利昂毕竟在西非发展和传播西方教育方面发挥了重要的先锋作用。在当今时代,这种关于塞拉利昂富有创造力的作家无法创作出高质量文学作品的基本叙述受到了几位新作家的严重挑战。这篇文章分析了塞拉利昂文学是如何从一个早期的作家不理解小说写作作为一个主要的出口来表达一个人的梦想,噩梦,希望和欲望的空间,到一个高质量的小说蓬勃发展的空间。它突出了内战及其可怕的后果如何以许多积极的方式改变了塞拉利昂的文学景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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