Lexico-grammatic mechanisms of linguistic creativity in the speech of modern embroiderers

Olga Khasanova
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Abstract

The subject of this article is the most frequent linguistic units in the speech of modern embroiderers, which arise as a result of deviations from the language norm and testify to the high linguo-creative potential of the craftswomen discourse. However, the author also draws attention to the lexical unit class that are characteristic of the embroiderers speech and have a terminological character. Productive models for creating new lexical units are subjected to a detailed analysis: suffixation, addition, contraction, truncation of a phrase, abbreviation. The analysis showed that the morphological suffixal way of word formation exceeds in the modern embroiderers speech, addition and abbreviation are represented to a lesser extent. In addition, it was found that one of the active mechanisms for the transformation of lexical units is semantic derivation, which leads to the expansion of the conceptual scope of traditional lexemes. In most cases, this process occurs as a result of metaphorical transfer. The author of the article also considers cases of proverbs transformation in the embroiderers speech, reflecting the special worldview of embroiderers, and also being an opportunity for free self-expression. Most of them are transformations of traditional Russian proverbs, and new variants in speech become more common than their prototypes – canonical proverbs. Changes in the construction-sources are determined by the craftswomen intentions and affect different levels — semantics and structure. At the same time, the replacement of the proverb component becomes the most frequent creative mechanism. The language material collected and analyzed by us allows us to conclude that the speech of modern embroiderers has a high linguistic and creative potential and a wide range of language game markers, indicating the emergence of a special subculture of craftswomen at the present time.
现代刺绣者言语中语言创造性的词汇语法机制
本文的研究对象是现代绣女话语中出现频率最高的语言单位,这些语言单位的出现是对语言规范偏离的结果,也证明了女工匠话语具有很高的语言创造潜力。然而,作者也注意到词汇单位类是刺绣语言的特征,具有术语特征。对创造新词汇单位的生产模式进行了详细的分析:后缀、添加、收缩、短语的截断、缩写。分析表明,现代绣语中形态后缀的构词方式较多,加成和缩略语较少。此外,还发现词汇单位转换的主动机制之一是语义派生,这导致了传统词汇概念范围的扩大。在大多数情况下,这一过程是隐喻转移的结果。文章还探讨了绣族话语中的谚语转化案例,反映了绣族特有的世界观,同时也是一个自由表达自我的机会。它们大多是对俄罗斯传统谚语的改造,而新的变体在口语中比它们的原型——正典谚语更为常见。建构源的变化是由匠人的意图决定的,影响着不同层次的语义和结构。同时,谚语成分的置换成为最常见的创作机制。我们收集和分析的语言材料可以让我们得出这样的结论:现代刺绣者的言语具有很高的语言和创造潜力,并且具有广泛的语言游戏标记,这表明在当前时期出现了一种特殊的手工艺女性亚文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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