An Exploration of the Female Image in the "Jiangnan Trilogy"—Taking "Flower" and "Utopia" as an Example

Abstract

In "Jiangnan Trilogy", Ge Fei takes the Zhejiang Meicheng family as the background and writes the story of five generations who fight for the "peach blossom garden" in their hearts in different identities aat different times. On the one hand, in the process of continuous resistance and struggle, they show the deep metamorphosis of women's spirit, and at the same time, they are all failed idealists full of tragedy, in this level of shaping, Grieve uses a lot of imagery to imply the final ending, and this paper focuses on exploring the "flower" and "utopia" imagery and women's writing. This paper focuses on the combination of "flower" and "utopia" imagery in women's writing and then explores the deeper connotations.